Western Highlands men in face-paint, Paiya Village, Papua New Guinea.

Melpa Men
The tribal people of Papua New Guinea all have distinctive costumes, makeup, and artifacts, which they happily display at cultural festivals, or sing-sings.

In communities without a written language, culture is passed down through the oral traditions of art, story-telling, music, and dance. Even architecture and weaponry can signify meaning.

In Papua New Guinea, there are more than more than 850 discrete spoken languages, and until recently, none of them were written down. Even today, adult literacy sits at less than 62%. In a historically nonliterate society with more than 7000 diverse cultural groups, one of the most popular means of education has been through costume, song, and dance.

Different occasions are commemorated or celebrated through their own ritualised expressions of song, dance, feasting and/or gift-giving. All across Papua New Guinea, locally-specific dances have particular meanings: some are a way to welcome visitors, others celebrate a good hunt or victory in war. Others still tell legendary stories, with each step, twist, and jump embodying its own significance and value.

Some of these dances are shared with neighbouring tribes and with visiting outsiders at sing-sings, gatherings of tribes or villages that showcase local dance, costume and music.

I was travelling with photographer Karl Grobl from Jim Cline Photo Tours. Our small group was attending the Paiya Village Mini Cultural Show, which takes place annually in the Western Highlands of Papua New Guinea, just before the better-known and larger Mount Hagen Show. The beauty of this smaller show is the access that visitors have to the different tribal groups as they decorate their bodies and faces with paint and mud, leaves and feathers (see: Mirror, Mirror!).

In addition to the men’s victory dances that are commonly performed at the bigger festivals, we also got to see some of the more story-telling dances: depicting courtship; demonstrating traditional fighting using bows and arrows or axes and shields; and explaining the negotiation of traditional marriage exchanges of bride-price in pigs, money, and shells.

Best of all, we were also treated to a traditional mumu: a feast of pork, chicken and a variety of fruit and vegetables wrapped in banana leaves and roasted in a ground oven of hot stones.

Join me for an afternoon at the sing-sing.

Back view: Western Highlands man applying face-paint, Paiya Village, Papua New Guinea.

Face in the Mirror
Arriving at the festival venue early gave us a great opportunity to watch the many layers of face-paint take shape.

Western Highlands man applying face-paint to another, Paiya Village, Papua New Guinea.

Helping Each Other
In the steaming hot jungle, small tribal groups are helping each other get ready for their fesival performance.

Western Highlander father and daughter, Paiya Village, Papua New Guinea.

Father-Daughter Duo
Not everyone is here to perform: many of the people who live in this village have come to watch the preparations, just as we have.

Jiwaka and Engan women Dancers in costume, Paiya Village, Papua New Guinea.

Jiwaka and Engan Dancers
Once the festival opens, there is a cacophony of drums and voices, as different tribal groups work their way onto the grass grounds.

Huli Wigmen Dancing, Paiya Village, Papua New Guinea.

Huli Wigmen Dancing
One of the more distinctive groups, in costume and in dance style, is that of the Huli Wigmen. With luxuriant bird of paradise feathers decorating their hats woven from human hair, the face-painted men bang their drums, chant, and bounce up and dawn as if they had springs in their feet.

Jiwaka warrior in a tall headdress, Paiya Village, Papua New Guinea.

Introducing the Program
This Jiwaka warrior’s bila – or headdress – was an extraordinary confection of feathers, fur, and felt. Over the PA system, he introduced his group; I couldn’t understand a word!

Jiwaka Dancers, Paiya Village, Papua New Guinea.

Jiwaka Dancers
Jiwaka Province neighbours the Western Highlands Province, and only split away from it in 2012. The division was because of cultural differences and complicated clan affiliations; …

Western Highland Dancers, Paiya Village, Papua New Guinea.

Western Highland Women
… even so, there are a lot of similarities between the groups.

Portrait: Western Highland woman in feathers, shells and face-paint, Paiya Village, Papua New Guinea.

Western Highland Women Singing
They all love their feathered headdresses, their face paint, their shells, …

Western Highland Women drumming, Paiya Village, Papua New Guinea.

Western Highland Women Drumming
… and their small kundu drums. Another theme across many of the groups is the ritual moka kina, a necklace or pectoral ornament made from shell, ochre and resin, and symbolising wealth and bride-price.

Portrait: Western Highland woman in feathers, shells and face-paint, Paiya Village, Papua New Guinea.

Melpa Woman – Western Highlands

Asaro Mudmen, Paiya Village, Papua New Guinea.

Asaro Mudmen
The Asaro Mudmen are truly unique – even though they have become rather well known recently through travel campaigns.

Mudmen Masks, Paiya Village, Papua New Guinea.

Mudmen Masks
Traditionally, the Mudmen live near Goroka in the Eastern Highlands Province. The masks are hot and heavy, and the men take them off at the first opportunity.

Asaro Mudman on a microphone, Paiya Village, Papua New Guinea.

Mudman on the Mike
One of the men tells the costume-origin story. Fortunately, I had heard it before (see: Asaro Mudmen), as I found the PA hard to understand.

Black and white painted hands of a Skeleton Man, Paiya Village, Papua New Guinea.

Boney Hands
Another unique group, the Skeleton Men come from Chimbu Province, in the Central Highlands.

Skeleton Man, Paiya Village, Papua New Guinea.

Skeleton Man
Moving like zombies with their eyes shut, they perform a silent story-dance that tells a tale of brave hunters who rescued their children from a ghost and conducted a magic spell to scare it away.

Three Bugamo Skeleton Men, Paiya Village, Papua New Guinea.

Skeleton Men
Some days earlier, I had watched a group of these men go through their lengthy process of body painting (see: Bugamo Skeleton Men).

Jiwaka man in a tall headdress, Paiya Village, Papua New Guinea.

Jiwaka Dancer
There are more feathered headdresses here than at a burlesque dance show!

Melpa in wigs and blackface, Paiya Village, Papua New Guinea.

Melpa in Blackface
The Western Highland headdresses take a variety of forms: the most basic is a head net, wrapped around the wearer’s head, but for special events, fabulous wigs supported by bamboo frames can be made from hair or seed burrs.

Western Highland Men in costume, Paiya Village, Papua New Guinea.

Western Highland Men
The configuration of the headdress, and the rest of the costume, is determined by the tribe, and the event being celebrated. They are all wearing their moka kina breast plates.

Back view: A Western Highland Papuan man digs a hot fire pit, Paiya Village, Papua New Guinea.

Preparing the Mumu
The performers take a break so we can admire the work that has gone into preparing our mumu – earth-oven lunch.

A Western Highland Grandmother seated with a toddler, Paiya Village, Papua New Guinea.

Grandma and Bub
I am not the only one anxiously waiting for my food!

Tressle tables covered in food, Paiya Village, Papua New Guinea.

Lunch is Ready!

Highland Warrior with his Axe in a war dance, Paiya Village, Papua New Guinea.

Western Highland Warrior with his Axe
After lunch, we are treated to complex tales of bride kidnapping, pig theft, and inter-tribal warfare.

Western Highland Warriors in a mock battle, Paiya Village, Papua New Guinea.

Highland Warriors in a Melee
As well as stone axes, the men use wooden arrows and spears …

Western Highland Warriorswith wooden shields, Paiya Village, Papua New Guinea.

After The Battle
… and protect themselves with heavy wooden shields.

Western Highland Elder as village chief, Paiya Village, Papua New Guinea.

Pronouncements of a Tribal Elder
After skirmishes and negotiations, a bride price is agreed between villages.

Western Highland village group, Paiya Village, Papua New Guinea.

Groom’s Group
The groom looks forward to his bride, …

Western Highland village group, Paiya Village, Papua New Guinea.

The Bride
… the bride is smiling, …

Western Highland Chief with a Moka Kina Shield, Paiya Village, Papua New Guinea.

Chief with a Moka Kina Shield
… and the pigs and moka kina shields are exchanged.

On the surface, it sounds transactional, but the moka was/is an exchange system wherein the donor gives shells and pigs as outright gifts. Reciprocity means that the recipient is later obligated to give a larger amount back. In this way, the exchange of wealth builds friendships and cements alliances.

To the Future (text)The younger generation is faced with the competing demands of tradition and the modern and changing world. Participation in cultural dance performances can instil pride in the old ways, and help bridge the gap to the new.

Here’s hoping!

Pictures: 18August2017

  • lewis mora - September 12, 2024 - 9:48 am

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    could you have than share with me and I wanted to have a look at itReplyCancel

    • Ursula - September 12, 2024 - 6:36 pm

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The Union Flag flying on Lancaster Castle, UK

History in the Stones
Built on the site of a Roman fort, Lancaster Castle has been a fort, a garrison, a royal visitors’ residence, a law court, a prison, and even a place of executions.

When you grow up and live in The Colonies, a visit to England can feel like a cultural homecoming. So much is familiar! You recognise places you’ve never been, and half-remember stories you’ve never heard.

I had always wanted to visit the Lake District: images of that pastoral countryside had somehow taken on a mythical quality in my mind. And of course, like any good English child of the mid-twentieth century, I had copies of Beatrix Potter’s Peter Rabit and Jemima Puddle Duck long before I had ever heard of Dr Suess. Then – many many years later – I saw the 2006 film Miss Potter on an airplane, and my desires to visit were rekindled.

The world has a funny way of drawing circles: I was born in Liverpool (UK); my children were born very near to Liverpool (AUS). My daughter met, and was about to marry a man from Liverpool (UK), and so my husband and I were travelling from Australia to England for the wedding and an extended stay.

Finally I had my chance to visit/revisit the northwest of England.

My search for reasonably affordable accommodation led me not to the Lakes itself, but to Carnforth, a small town in the north of Lancashire, within a stone’s throw of Yorkshire and Cumbria. This turned out to be the perfect location for us: our resort was well enough equipped to give us things to do (morning walks and afternoon kayaks) as we recovered from the long days of travel, and it was set within easy reach of rich historical treasures and wonderfully pastoral scenery once we were ready to explore.

It was a half hour’s drive to the Yorkshire Dales, where we walked through woods and fields, over stone bridges, and past numerous waterfalls, singing All things bright and beautiful” to all the sheep we met – in honour of James Herriot, the original “Yorkshire Vet” and author of the delightful All Creatures Great and Small (see:Ingleton Waterfalls Trail).

Our vist to Lancaster Castle the next day was a complete contrast. This rambling medieval fortress is one of Europe’s longest running prisons and one of England’s best preserved castles. For a time, it was the only Assize Court for the county, and it is still in use as as a Crown Court. No pictures are allowed inside, and although the entrance to the courtyard is free, if you want to go into the building itself, you have to pay to join a tour.

As frustrating as I find walking around with my cameras and not being able to use them, the tour was well worth our time and money. I’m sure all the guides are well trained: ours was certainly a wealth of fascinating historical information and amusing anecdotes. I was intrigued by the stories of “Hansbrow’s Hotel”, as the debtor’s prison was colloquially named for the Governor of the Castle (1833-1862) Captain James Hansbrow. As this name suggests, conditions were not too bad for some inmates! However, this was not the case for the founder of Quakerism, George Fox, who was incarcerated on numerous occasions: he wrote about his tower room in Lancaster where the cold, damp, and smoke adversely impacted his health.

In August 1612 the Lancaster Castle Summer Assize convicted ten people of witchcraft and they were hanged on the moors above the town. The Clerk of the Court published his account of the trials the following year, giving us a unique insight into the thinking of the day. For example, the origin of the modern word “haggard” comes from the trial of Margaret Pearson who was convicted of riding a horse to its death (“Hag Ridden”) .

There were many grim tales of hangings within the castle, and the sight of the original branding iron, used to burn an M into a convicted person’s hand, marking them a as a ‘malefactor’, gave me pause. But the stories that most caught my attention were those of transportation, for it was here that the connection to Australia came back into play. It was in Lancaster Castle’s courts that large numbers of prisoners in the 18th and 19th Centuries were sentenced to Transportation to Australia.

Among the 688 convicts who landed in Australia in January 1788 as part of the First Fleet were Elizabeth Youngson, age 13, and her brother George, age 12. Both confessed to their crime of breaking into a silk warehouse and stealing fourty-seven shillings and ninepence. Although originally sentenced to hang, their sentences were reduced to seven years transportation. All the prisoners walked in chains from Lancaster Prison to the small ships at Portsmouth – a distance of some 260 miles (418km). We got to handle the heavy chains, and it is impossible to imagine walking the 90 or so hours it would have taken, wearing them.

We certainly needed some lighter entertainment the next day, so we headed to the beautiful Lake Windermere in Cumbria. We stopped in at The World of Beatrix Potter (no photos allowed!), lunched on the lake, and to appease my huband’s love of classic cars, spent time in the Lakeland Motor Museum.

Any fan of old British television will remember the comedy double-act of Morecambe and Wise. It turns out that Eric Morecambe took his stage name from the seaside town that he grew up in. As Morecambe was only fifteen minutes away, we stopped in for a walk along their ‘award winning’ promenade.

Everywhere we went, there were links to personal memories and shared history.

Battlements, Lancaster Castle, UK

Lancaster Castle Turrets
It is generally thought that Lancaster Castle was founded in the 1090s on the site of the Roman fort built in 79 AD. The actual history of the building is uncertain. The earliest structure standing today is the Norman keep which probably dates to the 12th century. Much of what we see was built at the start of the 15th century.

Portrait: Young male guide, Lancaster Castle, UK

Our Young Guide
Our young guide had plenty of fascinating stories to tell us as he led us through the courts and jail – where no photos are allowed.

Kayaks on the River Leven, Cumbria UK

Kayaking on the River Leven
One of the things I love about England is all the out-door green space, and all the people making use of it.

Sopwith Camel, Lakeland Motor Museum, Backbarrow, England

Look Up!
A model of the iconic World War One Sopwith Camel, as flown by Ace pilot Canadian Donald Roderick MacLaren – and Snoopy from the Peanuts cartooon – greets us as we walk into the Lakeland Motor Museum.

Douglas Motorcycles, Lakeland Motor Museum, Backbarrow, England

Douglas Motorcycles
The Lakeland Motor Museum started as a private collection …

Hillman Minx Drophead Coupe Grill, Lakeland Motor Museum, Backbarrow, England

Almost Abstract : Hillman Minx Drophead Coupe Grill
… and now comprises over 30,000 motoring related exhibits …

Petrol pump, cars and logos, Lakeland Motor Museum, Backbarrow, England

Old Trademarks
… packed into a cacophony of colours and logos.

Picnic basket in a backseat, Lakeland Motor Museum, Backbarrow, England

Stylish Picnic
There is something very stylish about the early days of motor cars!

Top of the Pops Culture exhibit, Lakeland Motor Museum, Backbarrow, England

‘Top of the Pops’
There was a time when England was at the leading edge of popular culture.

Ultramarine Blue display, Lakeland Motor Museum, Backbarrow, England

Ultramarine Blue
Britain also had a varied manufacturing industry. Before the motoring museum took over this site, it was home to the Reckitt’s Blue Dye Works carton packaging sheds.

Licence Plates display, Lakeland Motor Museum, Backbarrow, England

Licence Plates
These brought back memories! When my father changed our annual licence plates, he would take a picture of my brother and myself standing in front of whatever car we had at the time, holding one each.

1920s Garage re-creation, Lakeland Motor Museum, Backbarrow, England

1920s Garage
A classic British Standard Motors “Swallow” is in for repairs.

Burlingham Langdale Caravan, Lakeland Motor Museum, Backbarrow, England

Burlingham Langdale Caravan
This 1948 caravan, manufactured by the Burlingham coachbuilding firm in Blackpool is an absolute sweetie!

Cat on a retaining wall over Lake Windermere, UK

Cat on Lake Windermere
A cat looks for bits of icecream we might have dropped …

View over Lake Windermere, UK

Lake Windermere
… as we enjoy afternoon views over the lake.

Metal Sculpture of Lake District Mountains, Morecambe UK

Lake District Mountains
You can actually see the Lake District from Morecambe, and this delightful sculpture on the promenade lets you know what you are looking at.

Sand Buckets and shovels for sale, Morecambe UK

Sand Buckets
It might be the Irish Sea, and neither safe nor warm, but any weather is beach weather in England.

Outline metal Bird Sculpture, Morecambe UK

Birds on the Roof
I love public art like this; …

Fat bird sculpture on Marine Road, Morecambe UK

Bird on Marine Road
Morecambe’s promenade was a pleasure to walk.

Sculpture of Eric Morecambe, Morecambe UK

Eric Morecambe
This work by English sculptor Graham Ibbeson was unveiled by the Queen in 1999.

Morecambe Winter Gardens building, UK

Morecambe Winter Gardens

Bird fence, The Stone Jetty, Morecambe UK

The Stone Jetty
The remains of Morecambe’s original harbour, from around 1853, was rebuilt and extended in the 1990s as part of a coastal defence initiative.

Cormorant Sculptures, Morecambe UK

Cormorant Sculptures
The TERN Project is a collection of public art installations celebrating the birds and other wildlife of Morecambe Bay.

Cormorant Sculpture on the Stone Jetty, Morecambe UK

Cormorant on the Stone Jetty

Bird fence, The Stone Jetty, Morecambe UK

Birds on the Fence

Boats on the Flats, Morecambe Bay UK

Boats on the Flats
Morecambe Bay is the largest expanse of intertidal mudflats and sand in the United Kingdom.

Boats on the Flats, Morecambe Bay UK

Boats on Low Tide
The quicksand and fast moving tides make the bay dangerous for walkers and fishers.

Those fishing boats weren’t going anywhere for a while!

It was time, however, for us to move on – and leave the northwest behind.

Until next time,

Happy Travels!

Photos: 15-17July2015

Young Daasanach Teen in red and black beads, Omo Valley Ethiopia

Young Daasanach Teen
With her hair braided in the distinctive pattern favoured by all the girls in this village, and draped in the customary beads, a Daasanach girl and her friends are happy to show me around their homes.

When I was young, I had a book with pictures of children around the world in their traditional National Costumes. I found the concept difficult to understand, given that where I lived, people dressed differently from each other, and fashion trends changed with every season.

I find it even more remarkable, these countless years later, that there are still so many pockets in the world where every item of clothing, every piece of jewellery and body art, and every hairstyle, is dictated by the community, and one’s place in it.

It was a rainy afternoon in the Omo Valley in a remote corner of south-western Ethiopia. I was travelling with photographer Ben McRae as part of a small-group Piper Mackay Photo-Tour. After a morning spent in a Hamar village (see: Hama Village Portraits), we were visiting a Daasanach settlement not far out of the market town of Turmi.

These two villages couldn’t have been more different!

Daasanach or Dassanech means People from the Delta; they are the southern-most of the tribes who live in Ethiopia’s Omo Valley, and stretch across southern Ethiopia, Sudan, and down into Northern Kenya, concentrating in the delta region where the Omo River enters Lake Turkana

Less than 3% of roughly 50,000 Daasanach are urban; the majority of these semi-nomadic Cushitic people live along the Omo and depend on it for their livelihood, especially since being pushed out of their traditional Kenyan lands either side of Lake Turkana. Their cultural and agricultural customs are intricately tied to the harsh and often unpredictable conditions of the region’s semi-arid climate: they practice ‘flood retreat cultivation’ where the (usual) July floods on the Omo River leave rich silt behind. Unfortunately, recent years of severe and sustained droughts alternating with deadly floods have made Daasanach lives more precarious. Added to this, the damming of several large rivers that once fed Lake Turkana and the increased use of river waters for irrigation have reduced water flow. The riverbanks are suffering from deforestation and are hosting additional disease, and the shrinking lake has been overfished, putting extra pressures on food supply.

The village we visited was not far from town, and some of the young people (male) who hired themeselves to us as local guides had good English and high ambitions. My young guide wanted to become a doctor; an aim I had difficultly reconciling the simplicity (poverty?) of the surrounds he was living in. He was still in High School, and with luck, might be eligeable for a scholarship, but his ability to study was completely restricted to ‘town’ where he had limited access to electric light and internet.

These tribal communities face an ongoing struggle to try to maintain traditional values, and at the same time bridge the huge divides between ‘our world’ and theirs.

Daasanach man outside a corrugated iron hut, Omo Valley Ethiopia

Outside a Daasanach House
Daasanach houses are made from a frame of branches, covered with hides, woven boxes, and corrugated iron. Clothing is simple (or absent), but many of the men sport perky hats.

Goats in a Daasanach Village, Omo Valley Ethiopia

Goats in the Kraal

White woman in a raincoat with a Daasanach man and children, Omo Valley Ethiopia

With the Headman
I don’t usually include photos of myself, but it is not everyday you get to pose with the village headman and a portion of his gaggle of children! (iPhone6)

Daasanach man and children, Omo Valley Ethiopia

Headman with some Children
I never managed to establish how many children this man actually has! Men typically have more than one wife, making for large families.

Daasanach man and girl child, Omo Valley Ethiopia

Headman
We were an entertaining novelty in the village, …

Daasanach woman digging, Omo Valley Ethiopia

Woman with a Shovel
… but work must go on.

Young Daasanach Teen in red and black beads, Omo Valley Ethiopia

Daasanach Girl
This young girl is on the brink of womanhood. In this tribe, that means she has already been circumcised (which happens between age 10 and 12) …

Young Daasanach Teen in red and black beads, Omo Valley Ethiopia

Complex Daasanach Hair Stylings and Back Scarring
… and will be married before too long (around 17).

Young Daasanach Man and child, Omo Valley Ethiopia

Daasanach Man and Child
The Daasanach are a tall, slender people, and the men seem to be all limbs when they squat on their wooden stools/headrests.

Portrait: Young Daasanach Man, Omo Valley Ethiopia

Portrait of a Young Daasanach Man
Men and women both love their beaded jewellery.

Portrait: Headdress of a Daasanach Man, Omo Valley Ethiopia

Headdress of a Daasanach Man
Some of the men dress their hair with coloured clay and feathers, …

Portrait: Daasanach Man in a hat, Omo Valley Ethiopia

Daasanach Man in a Hat
… while others prefer funky hats.

Two seated Daasanach Men with a child, Omo Valley Ethiopia

Daasanach Men
There is a casual mix of traditional and modern in the men’s clothing.

Seated Daasanach woman outside a hut, Omo Valley Ethiopia

Making Patties
The wooden stools are reserved for the men; women sit with their cloth (or leather) skirts directly on the packed dirt.

Woman

Making Patties
Most of the women I see are busy at work.

Seated Daasanach Man, Omo Valley Ethiopia

Daasanach Man on his Traditional Wooden Seat
The carved wooden seats are almost invisible against the sandy-coloured dirt. I was told that this man’s shoulder- and chest-scarring represented his accomplishments in inter-tribal warfare, …

Portrait: Headdress and back of a Daasanach Man, Omo Valley Ethiopia

Daasanach Warrior
… although his back-scars looked the same to me as those I had seen on many of the villagers.

Three Daasanach Teen girls, Omo Valley Ethiopia

Daasanach Girls
I lost count of the number of young girls I met in the kraal; …

Young Daasanach Teen in red, yellow and black beads, Omo Valley Ethiopia

Daasanach Girl
… they all seemed very self-possessed, and not at all shy in our presence.

Three Daasanach Teen girls carrying water, Omo Valley Ethiopia

Girls with Water Containers
When I spotted three girls bringing the water in for their families, I was a bit slow with the camera. They happily repeated their walk for me.

Daasanach Woman with a Goat, Omo Valley Ethiopia

Woman with a Goat
Meanwhile, unprompted, a woman sits outside a hut with one of her goats.

Daasanach Man Reclining on the ground, Omo Valley Ethiopia

Man Reclining
The men all have their wooden stools/pillows. Personally, I don’t think this looks remotely comfortable, but it is how the men rest, especially if they are out with their animals.

Daasanach boy milking a goat, Omo Valley Ethiopia

Boy Milking a Goat
Daasanach rely on their goats and cattle – especially in dry season when the crops aren’t growing. Plastic bottles are highly valued, and used for milk and other liquids.

Daasanach people outside a corrugated iron hut, Omo Valley Ethiopia

Afternoon Light over a Daasanach Compound

Two Daasanach Men standing chatting, Omo Valley Ethiopia

Men Chatting
All the men carry their headrests around as they go about their business.

Daasanach woman stone-grinding grain, Omo Valley Ethiopia

Woman Grinding Grain
The women are very efficient with their grinding stones.

Woman in fire smoke, Daasanach Village, Omo Valley Ethiopia

Woman in the Smoke
Once the animals are all in the corral, fires are lit. I was told this keeps away bad spirits…

Three children in fire smoke, Daasanach Village, Omo Valley Ethiopia

Kids in the Smoke
… and mosquitos.

Women silhouetted on the horizon, Daasanach Village, Omo Valley Ethiopia

Women on the Horizon
When you have no electricity, evening falls quickly.

It was dark. It was time to return to our modest accommodation – complete with running water, electricity, and patchy wifi.

Back in my room, reflecting on my own education and advantages, I couldn’t help but wonder what the future holds for the smart young people in these traditional villages.

To the Future (text)

I wish them well.

‘Till next time,

Responsible travels!

Pictures: 18October2018

Ferns on Wanggoolba Creek, Fraser Island Queensland Australia

Ferns on Wanggoolba Creek
In the white sands of the creek valley, shaded by the tall canopy of the sub-tropical rainforest, ferns thrive and crystal clear waters flow.

‘My father says there has been a rainforest here
for over a hundred million years.’

So begins the stunningly beautiful children’s book Where The Forest Meets The Sea by Jeannie Baker. This picture book about the Daintree Rainforest in Far North Queensland is illustrated entirely in sumptuous mixed-media collages that live in one’s memory long after the book is closed.

I guess that is why I think of the book every time I’m in a tropical or sub-tropical rainforest.

As I did when I visited Fraser Island in Southeast Queensland.

This island is a short ferry-ride east of Hervey Bay, almost 1600 kilometres (about 1000 miles) south of the Daintree pictured in the storybook, and the sub-tropical forests there are much younger, but there is still a feeling of timelessness as you stand among the tall tree-trunks and the ancient shade-loving ferns.

At 184,000 hectares (710 square miles), Fraser Island is the world’s largest sand island. It was formed over hundreds of thousands of years as winds, waves, and ocean currents carried sands from the Australian south-east coast – as far south as Antarctica – out to the continental shelf, and back again.

Stretching 122 kilometre (75 miles) from top to bottom, the island is big enough to get lost in, with countless kilometres of diverse walking tracks and more than 100 freshwater lakes, but small enough to sample in a couple of days. 

UNESCO-World Heritage Listed for its combination of shifting sand-dunes, tropical rainforests, and lakes, Fraser Island is home to half the world’s perched freshwater dune lakes and is is the only place in the world where rainforest is found growing on sand dunes at elevations of more than 200 metres. The diversity of vegetation that has adapted to survive in sand, a soil that is notoriously low in nutrients, makes the island unique.

Fraser Island has a special place in the culture of the Butchulla people, who have lived in the region for more than 5000 years – possibly as many as 50,000 years. They call the island K’gari, and the lakes there are an integral part of their dreaming stories. Native title rights were granted in 2014, giving the Indigenous people the right to hunt, fish, and take water for domestic purposes; and the right to be involved in business development into the future. The Queensland State Government, the National Parks and the Butchulla People are expected to work together to maintain the integrity and beauty of the site.

For it is magically beautiful. Come explore:

Sailboats on the harbour : Hervey Bay, Queensland Australia

Harbour : Hervey Bay
My morning starts pre-dawn in the southern Queensland coastal city of Hervey Bay, where I park my car and wait for a bus to the ferry. Four-wheel drive vehicles and special permits are needed for anyone wishing to drive on Fraser Island: booking a two-day coach tour is much easier!

Reflected images inside the deckhouse, Fraser Island ferry, Queensland Australia

Almost Abstract : Inside the Deckhouse
I love the multi-layered effects you get from reflections in glassed spaces. The ferry cabin has glass on all sides. Our shuttle buses retreat into the distance as we pull backwards into the channel.

Mangroves in low water, Fraser Island, Queensland Australia

Mangroves in the Intertidal Flats
The ferry crosses from River Heads, 20 minutes south of Hervey Bay, through the protected waters of the Great Sandy Marine Park to a boat landing near the world-famous Kingfisher Bay Resort. Mainland Australia floats on the horizon, just a 50-minute crossing away.

Walkway down to Lake Mckenzie, Fraser Island, Queensland Australia

Lake Mckenzie
Our first stop was to take a short walk to Lake Mckenzie, one of the most visited natural sites in Australia.

People standing in Lake Mckenzie, Fraser Island, Queensland Australia

Lake Mckenzie
Lake Mckenzie is a perched lake: that is, a closed pool of water – in this case, 150 hectares (371 acres) in area and just over 5 metres (16 ft) in depth – sitting above the water table, and fed only with rainwater. Organic matter that naturally builds up at the bottom of the lake acts like a plug, keeping the water from draining away. The sand around the lake is nearly pure silica, making it beautifully soft and fine.

Looking back at the shore of Lake Mckenzie, Fraser Island, Queensland Australia

Boorangoora
The Butchulla people called this lake Boorangoora, meaning Waters of Wisdom. The lake’s acidity prevents many species from growing, so the waters certainly have an intense beauty and clarity, and they feel like warm silk.

Tyre tracks in white sand, Fraser Island, Queensland Australia

Treads in the Sand
That soft silica sand is everywhere. More than 1500km of sand tracks crisscross the island; our bus is a luxurious MAN all-wheel drive vehicle built in Germany and custom-designed for the island’s conditions. (iPhone6)

Staghorn Fern, Pile Valley, Fraser Island, Queensland Australia

Staghorn Fern
Our next stop was at Central Station, which is the gateway to several walks into a towering rainforest of satinay (turpentine), brush box, and Kauri pine.

Rainforest tree bark, Pile Valley, Fraser Island, Queensland Australia

Natures Artwork
These rainforests are exceptional because they grow on the sand dunes at an elevations of 200 metres.

Rainforest tree bark, Pile Valley, Fraser Island, Queensland Australia

Patterned Bark
The tall, straight trunks of the trees as they reach for sunlight, made them a target for logging until the 1980s.

Central Station, Fraser Island, Queensland Australia

Central Station
Central Station was a forestry camp in the 1920s when logging was big on the island.

Trailer, Central Station, Fraser Island, Queensland Australia

Trailer in the Forest
Now the station is a day-use area with information boards and picnic tables.

Yellow, orchid-like flower, Central Station, Fraser Island, Queensland Australia

Floral Tree
From the Station, we pick up the Wanggoolba Creek boardwalk, …

Wet Forest Floor
… back into the dark shelter of the rainforest.

Rainforest tree bark, Pile Valley, Fraser Island, Queensland Australia

Tree Trunks

Wanggoolba Creek Boardwalk, Fraser Island, Queensland Australia

Wanggoolba Creek Boardwalk
The beautiful boardwalk takes us through piccabeen palms (Archontophoenix cunninghamiana) and giant king ferns (Angiopteris evecta).

Waves of Sand on Wanggoolba Creek, Fraser Island, Queensland Australia

Waves of White Sand
The boardwalk follows Wanggoolba Creek, which is so impossibly clear and blue that it is called the ‘invisible creek’.

Fraser Island satinay rainforest, Wanggoolba Creek, Fraser Island, Queensland Australia

Fraser Island Satinay – Syncarpia Hillii
In the 1920 the satinay – sometimes called a Fraser Island turpentine – became a major timber export after it was found to be salt-water-, fire-, and termite-resistant. The wood was used in the construction of the Suez Canal and the rebuilding of the London Docks.

Wanggoolba Creek, Fraser Island, Queensland Australia

Wanggoolba Creek
This was a Sacred Women’s Business place for the Butchulla people.

People walking on th track to Lake Wabby, Fraser Island, Queensland Australia

Track to Lake Wabby
After lunch, we walk through a completely different forest of twisting eucalypts, …

People walking on Hammerstone Sandblow, Fraser Island, Queensland Australia

Hammerstone Sandblow
… across the dunes of of the Hammerstone Sandblow, …

People at the edge of Lake Wabby, Fraser Island, Queensland Australia

Lake Wabby
… and down to the island’s deepest lake. The emerald-coloured Lake Wabby is both a window lake: formed when a depression lower than the water table is surrounded by higher land; and a barrage lake, created when moving sand dunes block a watercourse. Hammerstone Sandblow is slowly encroaching into Lake Wabby, and one day will obliterate it completely.

Path in the woods, Lake Wabby, Fraser Island, Queensland Australia

Path in the Woods
The sandy track to and from Lake Wabby is 2.4 kilometres long.

Delicate white orchid on the track to Lake Wabby, Fraser Island, Queensland Australia

Wild Orchid on the Track
There are plenty of flowers along the track …

Tufts of grass at the base of a eucalyptus tree, Fraser Island, Queensland Australia

Grasses and a Eucalypt
… and some magnificent gum trees.

Names carved on a eucalyptus trunk, Fraser Island, Queensland Australia

“Love Notes” in a Scribbly Gum
Previous walkers have left their marks.

Guinea Flower, Fraser Island, Queensland Australia

Guinea Flower – Hibbertia Scandens

Twisting eucalyptus trunks, Fraser Island, Queensland Australia

Sculptured Gums
Twisting eucalyptus trees line the trail …

Yellow Banksia, Fraser Island, Queensland Australia

Yellow Banksia
… and banksia trees love the dry, sandy soil.

Text: Take only Pictures

I was entranced!

And, after a night in a modest room at the Eurong Resort, I had another day of exploring to go.

Until then,

Happy Travels!

Pictures: 07June2019

  • […] Thanks to Air Fraser, like Yendingie and K’gari, I could appreciate those mirrors-lakes and lush forests from above. UNESCO-listed Fraser Island truly is a unique place of uncommon beauty: the world’s largest sand island with a remarkable eco-system (see: Fraser Island Forests and Waters). […]ReplyCancel

Wall Art in the Tomb of Rameses III, Luxor Egypt

Offering Incense
If Ancient Egyptians wanted a good afterlife, they had to offer the right gifts to the myriad of Gods. Inside his own tomb, Ramesses III is pictured with a gift of incense.

The Ancient Egyptians had a complex religious system which pivoted around their belief in immortality.

They saw death as a temporary interruption to life, rather than as an endpoint. But, there were several catches: the form of one’s afterlife depended on one’s social status in this life; ensuring eternal life required paying appropriate homage to the various gods; and – perhaps most importantly – the spirit needed to be able to find and reenter the correct body after corporeal death.

These beliefs lead to incredibly complex mummification processes and funerary rites. The funeral ceremony helped the dead to bridge the physical world to the eternal world of the afterlife.

We know all this because the texts describing the processes of mummification, the magic spells to protect the ‘deceased’ on their journey, and the rituals and protocols required of them and the living mourners, were all painstakingly rendered on the walls of the tombs of the most affluent and most revered of the Ancient Egyptians: the Pharaohs (see: The Writing on the Walls). 

Since the discovery of the Rosetta Stone in 1799, Egyptologists have been meticulously interpreting the hieroglyphs that cover the walls of the Pharaohs interred in the Valley of the Kings across the Nile River from Luxor, giving us all a richer understanding of the lives (and deaths) of peoples who lived some 3000 years ago.

Join me for a glimpse into the tombs of Merenptah, Rameses III, and Tut Ankh Amun.

Workers clearing rubble in the Valley of the Kings, Luxor Egypt.

Works Ongoing
The Valley of the Kings is an extensive area across the Nile from Luxor (Thebes). For about 500 years, it was the burial site of most of Egypt’s Pharaohs from the 18th, 19th, and 20th dynasties. Almost all the known 63 tombs and chambers were opened and robbed in antiquity, but exploration and restoration continues today.

Workers clearing rubble in the Valley of the Kings, Luxor Egypt.

Workers on the Hillside above the Tomb of Pharaoh Merenptah
The whole area of Thebes, with its temples and palaces at Karnak and Luxor, and the necropolises of the Valley of the Kings and the Valley of the Queens, is UNESCO-listed. This (hopefully) also protects the conditions of workers in the suffocating heat.

Guide explaining Tomb KV5 at the signboard, Valley of the Kings, Luxor Egypt

Walid Explaining Tomb KV5
The guides don’t enter the tombs, but use the explanatory signboards outside to explain the layouts, the artworks, and the significance to their groups.

Valley of the Kings, Luxor Egypt.

Entry to the Tomb of Pharaoh Merenptah
I opted to climb up the hill to explore the Tomb of Pharaoh Merenptah.

Hieroglyphs in the Tomb of Pharaoh Merenptah, Valley of the Kings, Luxor Egypt.

Hieroglyphs in the Tomb of Pharaoh Merenptah
The minute you step inside the tombs, you are in another world.

Steep stairway into Tomb KV8, Valley of the Kings, Luxor Egypt.

Entering Tomb KV8
The Tomb of Pharaoh Merenptah (Merneptah) or Rameses IX is steep, descending deeply into the surrounding limestone.

Hieroglyphs in the Tomb of Pharaoh Merenptah, Valley of the Kings, Luxor Egypt.

More Hieroglyphs
The walls all have a story to tell.

Head of the stone sarcophagus of Merenptah , KV 8, Luxor Egypt

Calcite Sarcophagus
Merenptah was unusual among the Pharaohs in that he was interred inside four nested sarcophagi. Reduced to fragments more than 3,000 years ago, the outermost sarcophagus was the largest ever found, at 4.1 meters (about 13 1/2 feet) long.

Climb up to the exit from Merenptah

Exit from Merenptah’s Tomb
The tombs are all incredibly dark – but no cooler than the blinding morning outside.

Guard at the Exit from Pharaoh Merenptah

Guard at the Exit
A ticket to the Valley of the Kings gains you entry to three tombs. Although everyone cheerfully snaps phone-pictures, if you want to use a camera, you pay extra! Attendants make sure the rules are adhered to.

Man in a white headscarf, Valley of the Kings, Luxor Egypt.

Man in a Coffee Shop

Depiction of a God inside the Tomb of Pharaoh Rameses III, Valley of the Kings, Luxor Egypt.

God at the Entry
The Gods are everywhere – this one is just inside the Tomb of Pharaoh Rameses III.

Wall Art in the Tomb of Rameses III, Luxor Egypt

Incense Offering
The crook and flail, both used by early shepherds, symbolise the power and majesty of the kings of Ancient Egypt.

Wall Art in the Tomb of Rameses III, Luxor Egypt

The Serpent and the King
The funerary texts depicted on the walls of the tombs helped to explain the expectations of Egypt’s deceased. Snakes and serpents – representing transformation and change – feature heavily.

Wall painting of a Funerary Boat in the Tomb of Rameses III, Luxor Egypt

Funerary Boat in the Tomb of Rameses III
Boats transported the dead person from this life into the afterlife.

Hieroglyphs on the Columns, Tomb of Rameses III, Luxor Egypt

Hieroglyphs on the Columns
KV 11 is one of the most popular tombs in the valley, and even during a quiet season crowds file past the decorated columns.

Hieroglyphs on the walls, Tomb of Rameses III, Luxor Egypt

Hieroglyphs
It is also one of the best preserved.

Hieroglyphs on the walls, Tomb of Rameses III, Luxor Egypt

Corridor in the Tomb of Rameses III
There is plenty to appreciate.

Wall art on the inner tomb of Tut Ankh Amun, Valley of the Kings, Luxor Egypt.

Inner Tomb of Tut Ankh Amun
The last tomb I visited was that of the Boy King Tut Ankh Amun. (iPhone6)

Mummy in the tomb of Tut Ankh Amun, Valley of the Kings, Luxor Egypt.

Mummy of Tut Ankh Amun
This small tomb is on a separate ticket which didn’t include my camera. Like the other visitors, I relied on my phone. (iPhone6)

Workers clearing rubble in the Valley of the Kings, Luxor Egypt.

Workers in the Valley
Back outside, the sun continues to bounce off the stony landscape, and the workers continue their labour.

Tourists at a poster, Valley of the Kings Visitors Centre, Luxor Egypt

Explaining the Restorations
The air-conditioning in the Valley of the Kings Visitors Centre was exceptionally attractive after a morning out in the oppressive heat of the valley; pausing to read the posters made for a good excuse to enjoy it!

The beauty of the functional artworks – and the complexity of the belief system behind them – is just mind-boggling.

Text: Safe Travels! Ursula

But, the heat – dry as it might be – is enervating. With images of eyes and birds and serpents and kings swirling around my head, I was glad to return to the air-conditioned comfort of my bus.

Wishing you safe travels – in this life and beyond.

Pictures: 07October2019