Walkers on the dramatic cliffs of Asturias Spain

Walkers on the Camino del Norte
This magnificent and dramatic coastline is part of what makes the Camino del Norte a popular Camino de Santiago route.

They call it España Verde Green Spain: the strip of land between the Bay of Biscay and the Cantabrian Mountains.

Well, some people do. The Spanish more commonly refer to it as the Cornisa Cantábrica – the Cantabrian Coast. Either sobriquet is apt for this wild and beautiful region in Northern Spain. Known for its spectacular cliffs overlooking the Cambrian Sea, its historic and charming towns and cities, and its long sandy beaches, the landscape here is kept lush and green by its wet and temperate oceanic climate.

The Camino del Norte route of the Camino de Santiago runs along this coastline – 827 km (514 mi) from from San Sebastian to Santiago.

I’m always amused by people who ask if I have walked ‘the Camino‘; el camino is Spanish for “the way” – and there are countless “ways” or trails or pathways throughout Spain. What most people mean is the Camino de Santiago, or the Way of St James, which culminates at the Catedral de Santiago de Compostela in northwest Spain. But even this is not one trail: traditionally, you started your pilgrimage from your home village, so there is a complex network of routes. Today there are nine popular ‘Camino Ways’ of varying lengths that are marketed to walkers: starting in France, Portugal, and various parts of Spain. If you want a ‘Pilgrim Certificate’, you have to walk at least the last 100km into Santiago.

We weren’t being anywhere nearly that ambitious! We were out for an afternoon walk on a very short section of this UNESCO-listed system of walking paths on the eastern side of Asturias – that is, roughly the middle of the Northern Spanish coastline. I was part of a small group studying Spanish at the Peak Me language school in nearby Panes in the mornings, and hiking in the afternoons with a guide from Canoe Adventure Trophy. Because of the rainy autumn weather, we had opted for a walk in the more sheltered woods of the Cambrian Mountains (see: Cicera, Cantabria) the day before.

I had my fingers crossed that the weather would hold as we walked the windswept limestone cliffs above the crashing waters of the Mar Cantábrico to the next town for a civilised drink in the local taberna.

Walkers on the Carretera del Cantábrico, Asturias Spain

Carretera del Cantábrico
We start our walk on a highway just outside La Franca, a popular beach town on the Bay of Biscay.

Rail Line, west of La Franca, Asturias Spain

Rail Line – La Franca
Leaving the highway, we cross the rail lines that have been running along side us, …

Rail Line, west of La Franca, Asturias Spain

Heading West
… and that, like the pilgrim paths, stretch west to Santiago.

Boulders and cliffs, El Paredón o las Palomas, Asturias Spain

North Coast Rocks
We head towards the the boulders and cliffs at the edge of the sea …

Walkers on the dramatic cliffs of Asturias Spain

Walkers on the Ruta de la Costa
… and pick up a section of the Camino del Norte, or the Northern Way. This was a prominent pilgrimage route in the 9th and 10th centuries.

Cows on the cliffs of Asturias Spain

Cows on the Hill
The cattle are happy roaming over the verdant hills, and we have to wait for them to clear the narrow footpaths before we can pass.

Wildflowers on the cliffs of Asturias Spain

Wildflowers on the Edge

Walkers on the dramatic cliffs of Asturias Spain

Walkers on the Cliff
The Northern Way has been called the most scenic of the pilgrims’ ways …

Boulders and cliffs, El Paredón o las Palomas, Asturias Spain

Cliffs over the Cantabrian Sea
… and it is certainly rugged, …

Waves on the cliffs, El Paredón o las Palomas, Asturias Spain

Waves on the Cliffs
… with the waves of the Atlantic pounding below.

Green Cliffs Ahead

Bufón de Santiuste, Asturias Spain

Bufón de Santiuste
In high seas, water can spout up to 40 metres (130 feet) here. As far as I could ascertain, the Spanish call these spouts ‘jesters’ (bufónes) because of the noise made when the water retreats again.

Red-roofed houses on a green hill, Buelna, Asturias Spain

Houses on the Hill
Everything is misty on the hill, and we are never quite sure if it will rain.

Low tide on Playa de Cobijero, Asturias Spain

Playa de Cobijero
The tide is very low, so there is not much water in what is a popular salt-water swimming hole in summer. The limestone cliffs here are riddled with tunnels and caves.

Walkers on a pebbled track, Buelna, Asturias Spain

Twisted Trees
We turn away from the cliffs, …

Goat on a stone wall, Buelna, Asturias Spain

Goat on the Wall
… and into the picturesque village of Buelna.

Stone gateway, Buelna, Asturias Spain

Gateway
Dark skies and old stones – there is a lot of moody character in these laneways.

Iglesia de Santa Marina, Buelna, Asturias Spain

Iglesia de Santa Marina
Spain has been almost exclusively Catholic since the marriage of Isabella and Ferdinand united the country in 1469, and the formal end of the Reconquista era in 1492.

Walkers under railway tracks, Buelna, Asturias Spain

Under the Tracks
The skies have brightened somewhat since our drink-stop, and we make our way back …

Bufón de Santiuste, Asturias Spain

Bufón de Santiuste
… through the scrubby green at the top of the cliffs.

El Paredón o las Palomas, Asturias Spain

El Paredón o las Palomas
From this angle, we can better appreciate those 38m (125ft) high limestone walls as they fold and layer upon themselves above the sea.

Text: Happy Walking!It was not the first time I’ve seen the yellow scallop shells that signal one of the many Camino paths and tributaries, but it was still exciting to find the yellow arrows underfoot, on ground that has been trodden for centuries.

So yes, I have walked on the Camino; I was pleased, however, not to be doing the whole 827 km of this one!

Happy Walking!

Photos: 25September2019

Portrait: Western Highlands Woman applying face paint, Mt Hagen PNG

Festival Preparations
Getting oneself ready for attendance at a Papua New Guinea sing sing takes time and patience. In a dark classroom near the Mount Hagen Showgrounds, a woman from the Western Highlands applies her face paint.

Who hasn’t seen pictures of the colourful festivals in Papua New Guinea, where the seemingly endless array of tribal groups demonstrate their unique costumes, songs, dances, and elements of culture?

These festivals are are known as sing sings in Tok Pisin, the creole that allows tribal people from 850 distinct language groups to communicate with each other across Papua New Guinea. Sing sings are cross-tribal gatherings that enable groups to showcase their distinct cultural, dance, and musical traditions. They started as a replacement for tribal warfare: to foster cross-cultural understanding and to celebrate diversity. These days, however, the focus of the larger festivals is on attracting tourist dollars. Even so, they allow communities to pass on age-old traditions to the younger generation and help to preserve unique facets of culture that might otherwise be lost.

One of the best known of these shows is the Mount Hagen Sing Sing Festival which takes place every August high in the mountainous Western Highlands province of Papua New Guinea, and attracts almost 100 performing groups from around the country. I attended this sing sing some years ago now, before international travel was stopped in its tracks by Covid-19. I was travelling in the country with photographer Karl Grobl from Jim Cline Photo Tours, and a small group of photography enthusiasts.

One of the things I love about travelling with groups focussed on photography is that they tend to take more time in each location, permitting you to step ‘behind the scenes’ and to connect more with the local population. This was certainly the case on this trip: we had arrived in Mount Hagen a few days before the festival got underway, and had spent a couple of days meeting and photographing unique tribal groups at a village nearby (see: Wanders – Paiya Village). And, on the days of the Mount Hagen Sing Sing, we travelled to the site early, giving us time to interact with dancers and their entourages before they went ‘on stage’. On the second day of the show, I found my way into a school grounds, where a number of troupes were gathered.

August is the ‘dry season’ in the Highlands. But, this is tropical jungle country: it is hot and humid any time of year, and the rains will fall without notice.

And they did!

Join me as I shelter in dark classrooms, trying to capture environmental portraits in the rare patches of light:

Papuan man and woman outside with a large cooking pot, Mt Hagen PNG

Around the Cooking Pot
Visitors to the school outside the fairgrounds seem to have set up camp very effectively: you can just see the flames under the big cooking pot here.

Portrait: Papuan woman and child in front of a plastic-sheeted building, Mt Hagen PNG.

Mother and Child

Seated Papuan child on a steps in front of a plastic-sheeted building, Mt Hagen PNG.

Child on the Steps
People are dotted all around, outside, in the school grounds …

Portrait: Western Highlands Woman applying face paint, Mt Hagen PNG

Face Painting
… and inside, in the dark classrooms where they are getting ready.

Portrait: Smiling Western Highlands woman in a headdress, Mt Hagen PNG.

Smiling Western Highlands Woman
The women are happy to take time out from their preparations …

Portrait: Smiling Western Highlands woman in a headdress, Mt Hagen PNG.

Headdress and Shell Necklace
… to have their pictures taken in the hot, dark, school rooms.

Portrait: Western Highlands woman in a pink-feathered headdress, Mt Hagen PNG.

Western Highlands Woman
Every small locality in the Western Highlands has its own tribal groups – with slightly different costumes – …

Portrait: Two Western Highlands Kunai men, Mt Hagen PNG.

“Kunai Brothers Culture Group”
… but shells, bird feathers and bird parts, and beads, are common elements across most of them.

Portrait: Smiling Western Highlands Kunai man in a hat and face paint, Mt Hagen PNG.

Kunai Brother’s Man
Groups from neighbouring villages have different headdresses …

Portrait: Smiling Western Highlands Kunai man face painting, Mt Hagen PNG.

Kunai Brother’s Red
… and face paint styles.

Portrait: Smiling Western Highlands Kunai man in a hat and face paint, Mt Hagen PNG.

Smiling Man – Kunai Brother Culture Group
These men, whose hats and face paint bore a resemblance to some I’d seen the day before, were getting ready on the school veranda.

Western Highlands women dancing in a classroom, Mt Hagen PNG.

Dancing in the Room
Meanwhile, back in a classroom, some Western Highlands women were rehearsing.

Papuans and tourists on a balcony in the rain, Mt Hagen PNG.

In the Rain
August might be one of the coolest months in the Western Highlands, but average maximums are still 27°C (80°F). It is not rainy season, but humidity is almost 90%, and rain is more likely than not. While we are watching the festival preparations, the skies open up, and people take shelter.

Papuan child in a plastic-coated doorway, Mt Hagen PNG.

Child in the Doorway
Many of the school buildings are unfinished – but they still provide shelter from the cloudburst.

Papuan man in a plastic-coated doorway, Mt Hagen PNG.

Man in the Doorway
Common tribal jewellery includes pig tusks and a variety of seashells.

Rusting van outside corrugated iron school buildings, Mt Hagen PNG

Decrepit Van
Much of the school grounds have a tumble-down feel to them, but at least the rains have cooled things off outside – temporarily. (iPhone6)

Western Highlands Woman applying face paint to each other, Mt Hagen PNG

Women Helping Each Other
Inside, it is hot and crowded. It is as if every community in the surrounding hills has its own cultural performance group, and as if each of these groups has found their own niche in the school buildings.

Portrait: Papuan girl at a classroom window, Mt Hagen PNG

Girl at a Window
The only light in the classrooms comes slanting through the windows.

Portrait: Young Western Highlands woman smoking, Mt Hagen PNG

Young Woman Smoking
In another room, women in headdresses made of feathers, fur, and shells, are smoking, chatting, and playing cards.

Portrait: Western Highland Woman in a headdress made from leaves, Mt Hagen PNG

Highland Woman
This group’s headdresses were quite distinctive. Although vegetation is a common costume element, for example: in crimped grass skirts; moss-filled headdresses; and decorative leaves in armbands; this hat made of overlapped layered leaves was in a style I didn’t see from any other tribe.

Portrait: Old Papuan man in a hat, Mt Hagen PNG

Old Man in a Hat
Inside another classroom, there is light coming in through one of the louvre windows. The locals in the room take turns posing next to this window for me.

Portrait: Young Papuan man in a feathered headdress, Mt Hagen PNG

Young Man in Feathers and Face Paint

Portrait: Papuan woman with short hair and facial tattoos, Mt Hagen PNG

Highlands Woman
Face tattoos are still common among women here. As far as I could establish, the patterns are purely aesthetic.

Portrait: Western Highland couple in traditional costume, Mt Hagen PNG

Western Highland Couple in Traditional Costume

Portrait: Young Papuan woman in a feathered headdress, Mt Hagen PNG

Young Highland Woman

Portrait: Highland woman and her baby, Mt Hagen PNG

Highland Woman and Baby

Portrait: Young Papuan man in profile, in face paint and headdress, Mt Hagen PNG

Western Highlander in Profile
There is a painted face in every dark corner getting ready for their performance.

Text: Happy Travels

It is time to move across to the festival grounds, and to catch some of these performers in action.

Until next time,

Happy Travels!

Photos: 20August2017

Tourists in the courtyard of the Temples of Philae, Agilkia Island, Egypt

In the Courtyard of the Temples of Philae – Agilkia Island
I never quite got the picture I wanted: one that conveyed the dry heat and the magical wonder of wandering among ancient stone structures.

Every day I spent in Egypt was more amazing than the last!

It was day six – and my Nile riverboat had spent the last few days making it’s way south, up river (see: Kom Ombo Egypt). Our boat had rafting up against another one the evening before in the ancient city of Swenett, now known as Aswan. After an early breakfast, my fellow passengers and I disembarked and found a mini-bus to take us to the Marina Philae Temple, where countless simple wooden boats were waiting to take tourists the twelve kilometres further up river to the sacred Temple of Isis – also known as the Philae Temples.

Build during Egypt’s Greco-Roman Period, the complex was started in 280 BCE, during the reign of Ptolemy II, and finished by his successor, Ptolemy III Euergetes. It was built on the island of Philae, which was sacred to the Goddess Isis from early Egyptian times and was said to be one of the burial-places of Osiris. The temple is dedicated to the Gods Isis, Osiris, and Horus and the walls are covered in scenes illustrating the story of Isis bringing Osiris back to life, giving birth to Horus, and mummifying Osiris after his death.

Perhaps more amazing than the original structures, however, is that fact that the historic buildings were saved from inundation by the floodwaters resulting from Egypt’s High Dam project. A campaign launched by UNESCO in 1960 lead to an international rescue operation: between 1972 and 1980, the temples at Philae were broken up into carefully numbered sections, and were moved and re-erected in the same relative positions on the nearby island of Agilika. This relocation effort – and the original historic value of the temples themselves – is recognised by the UNESCO World Heritage listing of the “Nubian Monuments from Abu Simbel to Philae”.

The temple has been called one of the gems of Upper Egypt for its carved pylons; I enjoyed the locals, the coffee, and the markets just as much!

Small souvenirs on white cloths, Philae Temple boat dock, Egypt

Trinkets on the Foreshore
It is a short bus trip to the boat dock above the Aswan Low Dam, where souvenir sellers and boat operators wait for business.

Tourist boats on the Nile above Aswan, Egypt

Tourist Boats on the Nile
The wooden boats are simple, …

Tourist boats on the Nile above Aswan, Egypt

Keeping Watch
… but is is a lovely trip across the reservoir above the Aswan Low Dam

Boats and the Island
… and around Agilkia Island.

Tourist boats on the Nile above Aswan, Egypt

Boats and Philae Temple Complex
From the Nile, we can see part of the temple complex – which was rebuilt at exactly the same orientation as it originally sat on the island of Philae.

Environmental portrait of a young boatman, Aswan, Egypt

Boatman
Many of the people in this region are Nubians – descendants of an ancient African civilisation dating back to at least 2500 BC.

Information board, Temple of Philae, Egypt

Introduction to the Temple of Philae
An information board greets us on arrival at the temple complex.

The colonnaded entry to the Temple of Philae, Aswan, Egypt

Forecourt
The colonnaded main courtyard leading towards the First Pylon and into the Temple of Philae gives us time to appreciate its symmetry and scale. Behind the columns on the right are priests’ rooms.

The entry to the Temple of Philae, Aswan, Egypt

The First Pylon
The temple entranceway, with its two towers and central doorway, stand an impressive 18 metres (60 feet) tall.

Frieze carving, West Tower, entry to the Temple of Philae, Aswan, Egypt

Frieze Relief – West Tower
The whole entry (and indeed, the whole complex) is richly engraved with stories of the Gods and rulers.

Relief carving: wall frieze, Temple of Philae, Aswan, Egypt

Wall Frieze

Horus in a pschent, wall frieze, Temple of Philae, Aswan, Egypt

Horus in a Pschent
Horus, the falcon-headed God, features often in the wall art. Here he is wearing the combined crown of Upper and Lower Egypt.

Hathor columns, Temple of Philae, Aswan, Egypt

Hathor
The columns leading up to the Second Pylon are topped with images of Hathor, the mother Goddess who created and maintained all life on earth, in her bovine animal form.

The Second Pylon, Temple of Philae, Aswan, Egypt

The Second Pylon
The second doorway leads into the inner sanctum of the temple.

Coptic cross carved amongst the ankhs, Temple of Philae, Aswan, Egypt

Coptic Cross amongst the Ankhs
The temple was transformed into a Christian place of worship during the early Byzantine Empire under the Coptic Bishop Theodore (AD 379-395). (iPhone6)

Carved names, dated 1823, Temple of Philae, Aswan, Egypt

‘Modern’ Graffiti
The island of Philae was rediscovered by European Egyptologists in the 1820s, and tourists soon followed.

Exiting the Temple of Isis, Philae, Aswan, Egypt

Exiting the Temple
Outside, the sun has climbed into a cloudless sky, and temperatures are heading past the mid 30s (95°F).

Trajan

Photos in the Courtyard
Visitors take each other’s pictures in the courtyard in front of Trajan’s Kiosk, named for Roman Emperor Trajan (98 to 117 AD), even though sections pre-date him. Locals call it the Pharaoh’s Bed.

Boat off Agilkia Island, Egypt

Boat off the Island
Boats continue to ferry people back and forth, …

Portrait: two men, Agilkia Island, Egypt

Vendors
… and locals happily pose for pictures.

Portrait: Nubian man making coffee, Agilkia Island, Egypt

Barista
I head into the shops …

Two cezves on a dark hotplate, Agilkia Island, Egypt

Cezves : Cooking Coffee
… for a well-earned Egyptian (Turkish) coffee.

Colourful Spices in bins, Agilkia Island, Egypt

Colourful Spices and Scents
I also check out the spice market, …

Environmental portrait: Egyptian man, Agilkia Island, Egypt

Explaining the Range
… wait while the shop-keeper explains the different grades of spices and beans to another woman, …

Portrait: Egyptian man, Agilkia Island, Egypt

Spice Vendor
… and then buy small bags of dried frankincense and myrrh sap to take home.

Portrait of a young boatman, Aswan, Egypt

Young Boatman
Soon it is time to find our boat again, …

Colourful brick buildings, Nile riverbank, Aswan, Egypt.

Buildings on the Shore
… and head back the mainland.

Every time I open my little bags of fragrant sap, I am transported straight back to the heat and the history of this temple complex in Upper Egypt.

Text: Happy TravelsThey still smell glorious!

Until next time,

Happy Travels!

Photos: 10October2019

The Minarets from Minaret Vista, California USA

The Minarets from Minaret Vista
High in California’s Eastern Sierras, the Minaret Vista (2,824 m – 9,265 ft) allows you to lookout over the Ritter Range and the jaggedly-sharp peaks of the Minarets (right hand side) in the Ansel Adams Wilderness.

The Eastern Sierra region of California is well known for its magnificent scenery, encompassing unique desert valleys, rugged alpine peaks, vestigial salty inland seas, and lakes of crystal glacial origins. 

With millions of acres reserved within national parks, national monuments, state forests, and local reserves, much of it is considered ‘backcountry’, obtainable only by means of long hikes, climbs, skis, snowshoes, horseback, or all-terrain vehicles. 

But, some of it is so accessible it almost feels like cheating!

The name “Eastern Sierra” is given to California’s Mono and Inyo Counties, nested in the eastern side of the Sierra Nevada, a mountain range whose very name (Spanish: sierra “jagged mountain range” and nevado “snowy”) speaks to its wildness. This is sparsely populated country with a youthful population and a plethora of outdoor activities.

I was staying with a friend at her place in Mammoth Lakes, on the eastern side of the lava dome complex that is Mammoth MountainCalifornia’s highest ski resort. We had driven past the entry to the Minaret Vista lookout the day before on our short drive west to the Devils Postpile, where we took the hike to Rainbow Lake (see: The Devils Postpile), before walking around Agnew Meadow (see: Wildflowers). We passed it again, on our way back to the starting-point for the gondola to the top of Mammoth Mountain (see: Wildflowers).

But, on this morning, we drove 15 minutes directly to Minaret Vista – and the views were right there!

Sitting on the back side of Mammoth Mountain, Minaret Vista is billed as the highest drivable lookout in the Mammoth Lakes area. You don’t have to leave your car for extensive views over the Ritter Range, a sub-range of the Sierra Nevada mountains. The most impressive of these are the jagged pinnacles of granite, named ‘The Minarets’ in 1868 by the California Geographical Survey.

Of course, we did get out of the car: dragging our tripods to the outlook, and wandering around the mountainside to appreciate the rocks and flora.

Do come along:

Minaret Vista signpost, Mammoth Mountain, CA USA

Minaret Vista
Just a short drive from the Mammoth Mountain Inn, there is a well-marked turn-off for the viewpoint. (Phone5)

Indian paintbrush and sulphur-flower buckwheat, Minaret Vista, California USA

Summer Wildflowers
Clumps of Indian paintbrush (Castilleja) and sulphur-flower buckwheat (Eriogonum umbellatum) dot the viewing area.

Sun flare through a tangle of wood, Minaret Vista, California USA

Morning Sunburst
It is just after 7.30 in the morning, and the sun angles low through the tangled plant-life.

Pine trees on the ridge, Minaret Vista, California USA

Pine on the Ridge
Lodgepole pines (Pinus contorta) – also known as twisted pines – command the ridge.

Detail: Lodgepole pine pollen cones, Minaret Vista, California USA

Pollen Cones
Lodgepole pines have both pollen cones – which these are – and seed cones.

Brewer

Brewer’s Lupine – Lupinus Breweri
Because of the altitude, many of the plants stay low to the ground, …

Wildflowers on the rocky ground, Minaret Vista, California USA

Rocky Ground
… clinging to the gravelly plateau as the jagged peaks of the Minarets float off into the distance.

Alpine flowers in the gravel, Minaret Vista, California USA

A Colourful Palette

Sulphur-Flower Buckwheat – Eriogonum Umbellatum

Dog on the mountainside, Minaret Vista, California USA

Chip
The views extend over the mountains across the valley.

Alpine shrubs in rough rock, Minaret Vista, California USA

Blue Skies and Red Rocks
Nature does a better job than any landscape gardener …

Alpine shrubs in rough rock, Minaret Vista, California USA

Rock Garden
… when it comes to mixing subtle colours and creating beautiful spaces.

Sagebrush and Indian paint brush, Minaret Vista, California USA

Sagebrush and Indian Paint Brush

Alpine shrubs in rough rock against a blue sky, Minaret Vista, California USA

Lichen on the Rough
The rough rocks make a great canvas for multi-coloured lichens and low-growing alpine plants.

Alpine shrubs in rough rock against a blue sky, Minaret Vista, California USA

Mountains behind the Ridge

Views over mountains and lakes, Minaret Vista, California USA

View from the Minaret Vista
Mountains and lakes roll off in all directions.

Butterfly mariposa lily, Minaret Vista, California USA

Butterfly Mariposa Lily – Calochortus Venustus
These areas are home to a number of unique plants, endemic to the region …

Butterfly mariposa lily blossom, Minaret Vista, California USA

Butterfly Mariposa Lily – Calochortus Venustus
… like the beautiful Leichtlin’s mariposa, native to the Sierra Nevada.

Twilight over Mammoth Lakes, California USA

Twilight over Mammoth Lakes
In the evening, on the other side of Mammoth Mountain, we watch the twilight darken over Mammoth Lakes

Moonrise over a bluff behind Mammoth Lakes, California USA

Mammoth Moonrise
… and the half-moon rise over the bluffs behind us.

Truly a magnificent landscape!

Until  next time,

Happy travels!

Pictures: 16&18July2013

Hindu priest performing the Gange aarti, Dasaswamedh Ghat, Varanasi India

Ritual Flames
Varanasi is an ancient and sacred city imbued with religious symbolism. At the holy Dasaswamedh Ghat, young priests perform the Ganga aarti every evening at sunset.

(Click for: Ganga Aarti : Sacred Hindu Chants)

It is said that Lord Shiva, one of the Trimurti, the Hindu trinity, created the city of Kashi (Varanasi) with his hands. That is why Varanasi, one of India’s seven holy cities, is said to be the country’s spiritual capital.

The holiest parts of this sacred city are along the ghats – the stairs – leading down to Ganges, the river known in India as the goddess Ganga Ma or “Mother Ganges.”

I was captivated: the dry heat was uplifting, the air was electric, and the people were both fascinating and welcoming (see: Life on the Ghats).

For devout Hindus, Varanasi is a centre devoted to the cycle of life and death.

Reincarnation is a key belief within Hinduism. All life goes through birth, life, death, and rebirth, in the cycle of samsara; when a living being dies, its atman (inner self or soul) will be reborn or reincarnated into a different entity, depending on its karma from its previous life. However, if one is lucky enough to die in Varanasi and to be cremated on one of the two designated ghats: Manikarnika Ghat or Maharaja Harishchandra Ghat, one achieves moksha—liberation from reincarnation and direct entry to nirvana.

Even if you don’t die in Varanasi, if you have bathed in the Ganges there – especially on auspicious days – you will be washed of your sins, giving you a better starting point for the next life.

As the sun sets in Varanasi, the Ganga Aarti is performed at Dasaswamedh Ghat. An aarti is a devotional ritual that uses fire as an offering; a form of Ganga Aarti takes place every evening at three holy cities on the Ganges: Haridwar, Rishikesh, and Varanasi. The one in Varanasi takes about 45 minutes, and is a colourful, highly choreographed, and beautiful ritual of worship dedicated to River Ganga, Surya – the setting sun, Agni – the fire and Lord Shiva.

It was the high point of my first day along the Varanasi ghats, and an experience that has stayed with me since.

Wood, scales and a goat on Harishchandra Ghat, Varanasi India

Wood and Scales
The funeral pyres on Harishchandra Ghat are a smoky reminder of life’s limits. A traditional Hindu funeral pyre needs six hours and 500–600 kilograms (1,102–1,323 pounds) of wood to burn a body completely – and clearly the keepers of the sacred fires measure this out carefully.

Wood and a goat on Harishchandra Ghat, Varanasi India

Woodpile and a Nanny
A goat with her full udder is like a symbol of new life as she walks past the funeral wood. I watched a few families as they sent one of their relatives off. We were asked not to photograph the actual pyres – and respected that request – but a Dom community member (the sect of hereditary undertakers) was happy to explain the rituals surrounding the cremations as they happened.

Portrait: Holy Person in a Yellow Turban, Harishchandra Ghat, Varanasi India

Holy Person in a Yellow Turban
On a balcony in the building next door, …

Portrait: Holy Person in a Yellow Turban, Harishchandra Ghat, Varanasi India

Religious Contemplation
… a holy person sits in in quiet contemplation.

Temple Kedar Ghat, Varanasi India

Kedar Ghat
A little further north, Kedareshwar Temple rises in all its colourful glory.

Curving Ganges waterfront, Varanasi India

Ganges Waterfront
The river curves off into the hazy distance …

Boats on the Ghats, Varanasi, India.

Boats on the Ganges
… with beautiful wooden boats lining the edge.

Colourful homes, Narad Ghat, Varanasi India

Colourful Homes – Narad Ghat
Between the palaces and temples, domestic buildings rise in a colourful tumble.

Hindu man in a checked dhoti, Varanasi ghats, India

Man in a Checked Dhoti
People from all walks of life are seated on the steps below.

Water buffaloes and a common crow, Ganges, Varanasi Ghats, India.

Water Buffaloes and a Common Crow

Two portraits: Sadhus in orange on the Varanasi ghats, India

Sadhus in Orange
The sadhus are endlessly fascinating. I quickly discovered that sharing a cup of masala chai (spiced tea) with them was a great icebreaker.

Bicycle in a Varanasi laneway, India

Bicycle in a Laneway

Women in a the doorway of a Varanasi house, India

Women in a Doorway
In the streets behind the ghats, …

Chai wallah seated in a Varanasi street, India

Chai Wallah
… everyday life goes on.

Blue wooden boats on the Ganges, Varanasi ghats, India

Blue Boats
I loved the wooden boats on the foreshore of the Ganges.

Blue and red wooden boat on the Ganges, Varanasi ghats, India

Blue and Red Boat
Their colours and textures were wonderful.

Portrait: Elderly man in a white hat, Varanasi ghats, India

Elderly Man in a White Hat

Portrait: seated barefoot man with white hair, Varanasi ghats, India

White Hair and White Beard

Boats and bathers at Dashashwamedh Ghat, Varanasi India

Dashashwamedh Ghat
As the sun drops lower in the sky, the last of the bathers in the waters finish up …

Two Portraits: Indian woman and Indian girl, Dashashwamedh Ghat, Varanasi

Mother and Daughter
… and spectators of all ages find seats on the ghat where the Ganga aarti will soon be performed.

Preparations on the Dashashwamedh Ghat, Varanasi India

Twilight Preparations
The priests of Gangotri Seva Samiti set the stage for the Ganga aarti on Dashashwamedh Ghat.

Ritual candelabra, Candelabra

Candelabra

Religious trinket stall, Dashashwamedh ghat, Vanasi India

Religious Trinkets

Tourists after dark in a boat off Dashashwamedh Ghat, Varanasi India

Watching from the Water
Many spectators opt for a seat in one of the boats in the river. I was lucky: an Indian woman who had scored an excellent position level with the priests invited me to sit with her and her family.

Portrait: Child with big eyes, Dashashwamedh Ghat, Varanasi India

Big Eyes

Portrait: Female flower seller,Dashashwamedh Ghat, Varanasi India

Flower Seller

Flower Offerings, Dashashwamedh Ghat, Varanasi India

Flower Offerings
The sellers have prepared offerings that can be lit and set afloat for the Mother Ganges.

Composite: priests performing the Ganga Aarti, Dashashwamedh ghat, Varanasi India

Bells and Flames
The Ganga Aarti starts soon after sunset and lasts for about 45 minutes. Once the young pandits have prepared all the necessary paraphernalia, they sit in meditation. Then, they start a chant of mantras while circling small flames and ringing brass bells.

Composite: priests performing the Ganga Aarti, Dashashwamedh ghat, Varanasi India

Bells and Incense
The fragrance of incense permeates the still-warm evening air, and the chime of bells continues.

Composite: priests performing the Ganga Aarti, Dashashwamedh ghat, Varanasi India

Bells and Smoke
The bells are said to create an ‘auspicious sound’ which aligns the chakras, and the incense represents a purified state of mind.

Pandits with multi-tiered brass lamps performing the Ganga Aarti, Dashashwamedh ghat, Varanasi India

Ceremonial Brass Lamps
An aarti is essentially a Vedic fire ritual, using fire as an offering to the Goddess Ganga. Once lit, the multi-tiered brass lamps are impressive.

Priests waving yak-tail fans during the Ganga Aarti, Dashashwamedh ghat, Varanasi India

Like Feathers
Towards the end of arati yak-tail fans (chanvar) are waved to send the element of air back to its source.

Children on the steps of Dashashwamedh ghat after dark, Varanasi India

Kids on the Steps
The children in the audience are as transfixed as I am.

priests performing the Ganga Aarti, Dashashwamedh ghat, Varanasi India

Bowing Down

Portrait: Indian woman, Dashashwamedh ghat, Varanasi

Woman on the Ghats
When the last notes die down, I say a heartfelt thank you to the lovely woman who, after arriving an hour early on the ghat to secure her spot, so generously shared it with me.

With the drone of the music still ringing in my ears, and the soft smell of incense clinging to my skin, I walked back to my room in a happy daze.

Varanasi gets into your soul.

It certainly captivated me, and shifted my perspective on life. And death.

Photos: 09April2010