Giraffe at Taronga, overlooking Fort Dennison and downtown Sydney.

Location, Location, Location!
The giraffes at Taronga Zoo have a commanding view overlooking Fort Dennison and central Sydney.

As politically-incorrect as it might be, I love visiting zoos. There is something magical about being able to get up close-and-personal to some of the world’s wild creatures.

Ok – so they are not entirely wild creatures when they are held, and often born and bred, in captivity. I understand the arguments for and against zoos, arguments which have changed over time, and have led to changes in zoo design:

  1. Zoos as Jails (mid 19th to late 19th century)
  2. Zoos as Art Galleries OR the Modernist Movement (early to mid 20th century)
  3. Zoos as Conservation and Education Facilities

Modern zoos, with their focus on ethics and animal rights, are designed as much (perhaps more) for the comfort of their creatures than for the convenience of their visitors. And although, philosophically, I agree with this, I can’t help but think there is something ironic about being able to get better animal pictures in the wild!

These were some of my thoughts as I dragged the cameras across Sydney Harbour and around Taronga Zoo in Mosman in February, and along the roadways and pathways on the three kilometre stroll around the Taronga Western Plains Zoo outside Dubbo, in central New South Wales, earlier this month. On both visits, many of the animals took refuge away from prying eyes and lenses.

Don’t get me wrong: I loved the zoos themselves. Both the Tarongas are in killer locations.

Opened in 1916, the original Taronga Zoo is located on the shores of Sydney Harbour in the suburb of Mosman. The views across the harbour and over downtown Sydney are stunning. While we were there, a woman told me that the view from one particular spot was Heritage Listed, although I could later find no evidence – outside the view itself – for her claim.

Koala in a gum tree

In the Mosman koala house, we found one sleepy marsupial. They were all hiding when we went through the Western Plains Zoo.

Black and yellow corroboree frog in an a clear lidded lunch box.

The tiny corroboree frog is one of Australia’s most critically endangered frogs.

Small lizard on a log.

Small lizard on a log in the reptile house.

Chimpanzees in a huddle, Taronga Zoo.

Chimpanzees in a huddle, Taronga Zoo.

Chamois sitting on a rock against a blue sky.

Most of the chamois were hiding among the rocks, but this one stood out against the sky.

The back of a seated Silverback Gorilla, Taronga Zoo.

The silverback and his family pointedly ignore the audience.

Closeup: a Silverback eating Pinenuts from a cone.

After a patient wait, the best I could get was the male’s profile, as he delicately extracted the kernels from a pine cone.

Black gibbon behind tree leaves, Taronga Zoo

A gibbon peaks out from the foliage.

Rainbow Lorikeet on a black rail.

A cheeky rainbow lorikeet with a bad foot mooched food from us as we ate lunch.

Portrait: elderly man smiling in a felt cowboy hat.

Zoo-Keeper Joseph explains the habits of the blue-tongue skink to a small audience…

Hands holding a Blue-tongued skink (Tiliqua).

… and hands the skink carefully around.

Pelican with its beak tucked into its back.

Ironically, we get a better look at pelicans at home, as we watch them on the lake, than we did at the Mosman zoo, where the only one we saw was hiding in sleep.

Although it makes efficient use of its space and houses a lot of animals, the 52 acre Mosman site has no room for growth. The Western Plains Zoo was conceived in the 1960s as a facility to allow for the breeding of larger plains animals and to give grazing animals the room they need to roam.  An old WWII army training camp in central NSW, about five and a half hours north-west of Sydney by car, was converted into 300 hectares (about 3 sq km) of irrigated grasslands and opened to the public as  Australia’s first open-range zoo in 1977.

Modern sculpture: Red Kenyan round face mask, Western Plains Zoo

Welcome to Taronga Western Plains Zoo where they are currently celebrating Kenya and the animals of the savanna.

Australian white ibis on a picnic table-top.

A we guarded our lunch, an Australian white ibis raided a chip from the empty table next to us.

Ring-tailed lemur, Western Plains Zoo

On their own island, protected by water and distance, ring-tailed lemur can ignore the visitors.

Apostlebird on gravel pathway.

I had as much fun watching the local birds – this one a cheeky apostlebird – as I did trying to find the elusive animals.

Two adult giraffe and a baby, Taronga Western Plains Zoo.

Although they don’t have the harbour views that their counterparts at Mosman enjoy, the giraffes at Western Plains have been busy. Little Fanana, meaning ‘to resemble’ in Swahili, was born in August.

View: Taronga Western Plains zookeeper talking to a group.

The animals are often elusive, but the times for feedings and and zookeeper-talks are posted. So, if you have the time, you can plan your days accordingly.

Portrait of an Australian woman in a felt cowboy hat.

Zookeeper Melanie explains the habits of the hippopotamus.

African Elephant

After years of living in Thailand, Asian elephants have become almost common-place to us. It was nice to see the African elephant – even if she looked pretty bored, stirring up dirt in the bare paddock.

Sumatran Tiger lying in the shade.

The magnificent Sumatran tiger didn’t even flick his tail. We commented to each other that we’d been closer to tigers at the Ranthambore Tiger Reserve in Rajasthan.

White Handed Gibbon among eucalyptus, Taronga Western Plains Zoo.

White Handed Gibbon

Delicate white blossoms on a eucalyptus tree.

It is spring: delicate white blossoms adorn a eucalyptus tree.

A babbler bird, upside down on a branch, looking for food.

A babbler searched for slugs and bugs.

A Siamang (Hylobates syndactylus) leaping against a blue sky. Taronga Western Plains Zoo.

A siamang, largest of the gibbons and lesser apes, takes a flying leap –

A siamang (Hylobates syndactylus) with a baby clutching to her, comes in for a one-handed landing off an overhead rope

– while mother and child come in for a landing.

A young male zebra on green lawn. Taronga Western Plains Zoo.

The young zebra born 24 August, is named Neo, meaning gift in Setswana (Botswana).

Purple wild flowers among green weeds.

Purple wildflowers add colour to the grasslands.

A swamp wallaby drinks from a concrete pond. Western Plains Zoo.

Swamp Wallaby

The little swamp wallaby, drinking cautiously from the pool, reminded me what a privilege it is to get so close to a wild creature.

For while it is true that we have seen many animals better in the wild, in their natural environments, there are many others that we haven’t. Even local animals, like the swamp wallaby, we are more likely to see dead at the side of a road, than drinking from a pool. And, habitats are shrinking the world over.

To the Future (text)The 2012 Master Plan for Taronga Zoo and Taronga Western Plains Zoo includes the stated belief in a shared future for Wildlife and People.

Let’s hope it succeeds!

Photos: 21February2012 and 08October2012

  • Signe Westerberg - October 26, 2012 - 3:35 am

    Fabulous Ursula, its been a few years since I’ve been at either but I love them both. I get that you are torn, me too. But some of these precious creatures aren’t going to survive man, so we need to have safe havens for them, and sometimes a zoo is the only place that can make an income to support them. Hard but necessary I think.ReplyCancel

    • Ursula - October 26, 2012 - 3:53 am

      Exactly, Signe!
      And, with regards to income – both zoos charge like a wounded rhino. Ouch!ReplyCancel

Morning light on the golden stupa at the centre of the Shwedagon Pagoda.

Shwedagon Zedi Daw, the 99 meter gilded pagoda situated on a hill in Yangon, is the most sacred of Myanmar’s Buddhist sites.

“Then, a golden mystery upheaved itself on the horizon, a beautiful winking wonder that blazed in the sun, of a shape that was neither Muslim dome nor Hindu temple-spire. It stood upon a green knoll, and below it were lines of warehouses, sheds, and mills. Under what new god, thought I, are we irrepressible English sitting now?”

~ Rudyard Kipling, 1889

Shwedagon Pagoda (Shwedagon Zedi Daw) is possibly even more magnificent now than it was when Kipling first saw it.

Situated west of Kandawgyi Lake, high up on Singuttara Hill, its golden dome, reputedly tipped with 5,448 diamonds nd 2,317 rubies, can be seen from almost anywhere in Yangon. It is so much part of the Burmese psyche that Queen Shinsawbu (1394–1472), who donated her weight in gold to repair and maintain the pagoda, had her bed positioned so she could look at it during her final days. By the early 16th century, Shwedagon was the most important Burmese Buddhist pilgrimage site, and in more recent years it has also become a centre – and a symbol – of nationalist and political protest.

Sun flare through a large Bodhi Tree, Shwedagon.

Morning light in the sacred Bodhi Tree near Shwedagon’s South Entrance.

Large and small seated Burmese Buddhas in a lavishly tiled hall, Shwedagon.

Luminous white marble Buddhas, lavishly trimmed with gold, in a shining hall.

Shwedagon Pagoda is revered by Burmese Buddhists because it is said to contain the relics of the present Gautama Buddha and the three Enlightened Buddhas immediately preceding Him. Legend has it that two Burmese brothers, Taphussa and Bhallika, met the Lord Gautama Buddha in BC 588 and were given eight of His hairs as sacred relics. When they returned to Burma, the presiding King helped them find the site of the older relics enshrined on Singuttara Hill, and the stupa was built – making it over 2600 years old; thus the oldest pagoda in the world.

Historians and archaeologists, however, suggest that the the pagoda was built by the Mon people between the 6th and 10th centuries CE.

Either way, the original site is old, and improvements and renovations of the pagoda and the surrounds have continued over the years.

Crow in the golden and white spires of Shwedagon against a blue sky.

Looking up to the birds, the spires and the heavens…

Portrait: seated Burmese Woman in thanaka against green mosaic pillars: Shwedagon.

A Burmese woman, wearing thanaka on her face, sits in the shadows of the hallway.

Burmese Theravada monk squatting in prayer, Shwedagon

A monk saying morning prayers.

Head of a golden Burmese Buddha

Reflections in a golden Buddha

Burmese Buddhist ritual is strongly rooted in astrology which originated from Hindu Brahmanism. According to Myanmar astrology, the week is divided into eight days (Wednesday is split into two parts) and a person’s fate is dependent on the planet ruling over the day of their birth. The base of the pagoda is octagonal, allowing for eight planetary posts, each with a guardian angel or deva, and a small Buddha in a shine. The faithful, who may bring offerings with them, make their devotions or entreaties at the post which corresponds to the day of their birth.

Seated Burmese Buddhist Monk with a black alms bowl.

A Burmese monk quietly sitting with his alms (begging) bowl.

Elderly burmese woman, seated in prayer, with flower offerings in her hands.

Faithful often bring offerings when they say prayers at their planetary post.

Candles and incense burning at a Shwedagon shrine.

Each of the eight posts has lit candles and incense burning.

Burned down candles with flame and remenents of incense in a container.

Seated Burmese theravada monk saying prayers. Shwedagon.

There are monks in every nook and cranny.

Monk at Shwedagon Pagoda

A monk shields his face from the bright morning light as he walks around Shwedagon Pagoda.

Portrait: Theravada Buddhist Nun with an umbrella at Shwedagon

A visiting nun pauses to have her photo taken.

Two Theravada Buddhist Monks sitting with prayer beads in an alcove: Shwedagon

There are 64 alcoves around the base of the pagoda; most with Buddha images, many with monks.

We – the intrepid Karl Grobl and ten photographic enthusiasts – visited Shwedagon Pagoda twice on our brief stay in Yangon: once in the morning and once in the evening. We wanted to witness the life of the pagoda, rather than just its intrinsic beauty, and our guide Mr MM assured us that those were the times that would be busiest with Burmese pilgrims.

I was lucky enough to engage in conversation with locals on both visits. In the morning, I met a man who was there because it was his wife’s birthday, and she wanted to make merit. He had lived in both the USA and Thailand as part of a diplomatic family, and we were able to discuss (albeit cautiously on my part!) the impact of the recent political changes. In the evening, I chatted to a young monk about life, religion, and the cultural importance of Shwedagon, as we took refuge from the rain under an awning.

Portrait: Two seated Burmese Theravada monks, Shwedagon

A bilingual Burmese monk, and his not-so-bilingual friend.

Burmese with umbrellas walk around Shwedagon at dusk.

A little afternoon rain doesn’t dampen the faithful who have their umbrellas handy.

There were few tourists around, but the locals were out: the same umbrellas that protected visitors from the harsh morning sun now shielded them from the soft evening rains.

“When Myanmar Buddhists go to the pagoda, they know in their hearts that they are treading the noble path to that state where the best of human nature will have a fair chance to manifest itself in deeds of generosity, loving kindness and compassion for one’s fellow beings.”

Burmese buddhists wash a buddha at one of the eight planetary posts, Shwedagon.

At each of the eight planetary posts, there were Burmese buddhists washing the little Buddhas; …

Burmese woman washing a Buddha immage, Shwedagon.

… this both pays homage to the Buddha and cleanses oneself of sins.

Monks on the Terraces

As the rain falls and the light drops, we spot monks on the pagoda “terraces”, just below the “bell”.

Reclining Burmese Buddha in low light: Shwedagon

A reclining Burmese Buddha.

Detail: ornate gilded column. Shwedagon

Detail: gilded columns in one of the many halls.

An elderly Burmese woman praying with incense in her hands.

Incense and evening worship.

Shwedagon pagoda at Night

Night lights over Shwedagon.

While there is some argument that the riches in the pagoda could be used for much-needed infrastructure development, it has survived early Portuguese pillaging, two wars with the British and years of colonial occupation, as well as earthquakes of varying severity.

Text: Metta - wishing you loving kindness.The military government clearly knows the importance of Shwedagon to the people of Myanmar: in 2006 they commenced work on Uppatasanti Pagoda, an almost-exact replica in Naypyidaw, the new capital of Myanmar. In September 2007, they attempted to restrict access to the Shwedagon Pagoda, leading to clashes between security forces and protesters – mostly monks and nuns – which resulted in at least five dead.

It still stands tall, a glittering jewel that seems to symbolise Burmese resilience and hope for the future.

Photos: 12September2012

  • Gabe - October 20, 2012 - 6:05 am

    As always, informative @ beautifulReplyCancel

  • John F Leavy - October 20, 2012 - 2:15 pm

    I remember my visit 7-8 years ago. Spectacular. Wonderful pictures to stir the memories. Thank youReplyCancel

  • Signe Westerberg - October 22, 2012 - 12:09 am

    Beautiful as always, as funny as this is, I asked myself the same question as we neared the end, the … what if the money was redirected etc etc… but it occured to me, without faith, what material objects could these people have that would mean more or be as important, I can’t think of anything one could own that would be more important that how one feels. The history, the sensibility and the devotion can not be equalled.ReplyCancel

    • Ursula - October 22, 2012 - 12:21 am

      Thanks, Signe, for putting it so succinctly! Without faith (in something), life becomes empty. “He who has a why for life can put with any how.”
      – Frederick Nietzsche

      Thanks for the visits, John and Gabe. The place had me awestruck!ReplyCancel

  • Selim Hassan - October 25, 2012 - 2:47 am

    And Hobbes said … The condition of man is a condition of war of everyone against everyone and the life of man is solitary, poor, nasty, brutish, and short. (Leviathan) But your Nietzsche quote is more uplifting!

    I spent the summer of 1984 in and around Yellowstone, primarily flyfishing but also taking some time out for exploring. It is an absolute must-visit for anyone who enjoys and marvels at natural wonders.

    But back to Thomas Hobbes … I was resting one evening (all alone I thought) by Lewis Lake in the southwestern part of Y/Park in a little cove when two guys drove up to the lake, walked around a bit and then discussed what a waste it was that all that prime real estate was locked up in a public park. They speculated how they could sell lake-front plots for a huge profit and make a killing. I guess some people don’t realize that sound carries very well over still water. I was pretty naive at that time and was actually horrified that somebody would think to do that to an incomparable public treasure. Now, I know better–we are generally inclined to destroy, not preserve and enhance.

    Thanks for the memories, Ursula, and hope to see you again soon in Thailand.ReplyCancel

    • Ursula - October 25, 2012 - 3:59 am

      Selim, as depressing as your observations are, you always make me smile! 🙂ReplyCancel

  • Shwedagon Pagoda in Myanmar | UTAOT - March 30, 2018 - 8:01 pm

    […] source – https://www.ursulasweeklywanders.com/culture/the-heart-of-myanmar-shwedagon-pagoda-yangon/ […]ReplyCancel

  • […] Pagoda Shwedagon. Image via: ursulasweeklywanders.com […]ReplyCancel

Sunburst over limestone coated hills and a geothermic smoking mountain.

Morning sunshine over Roaring Mountain, Yellowstone National Park.

How many parks can claim UNESCO World Heritage status?

Yellowstone National Park, the world’s oldest “National Park”, established in 1872 by an act of American congress, has been a designated World Heritage site since 1978. Home to more geothermic activity than anywhere else on earth, Yellowstone is also one of the last, nearly intact, temperate-zone ecosystems, providing a refuge and natural home for many plants and animals that no longer thrive elsewhere.

UNESCO also recognises Yellowstone for its “extraordinary scenic treasures”; an assessment I’d have to agree with. While we loved seeing Old Faithful and some of the other iconic Yellowstone National Park activity, it was equally impressive to see just how much else the park has to offer.

Horses, horse wagons and farm utility vehicles at the side of the road: Yellowstone Plateau

The horses wait for their morning riders: Yellowstone Plateau.

I had vague childhood memories of the Paint Pots at Kootenay National Park in British Colombia, and so was curious to see Yellowstone’s Artist’s Paint Pots. This is one of the less-visited attractions in the park, but we enjoyed the short walk (1.8 km) along the trail and boardwalk that takes you around pretty geothermic hot springs, mudpots, fumarole, and a small geyser.

Small lake, Artists Paintpots, Yellowstone NP

Small lake, Artist’s Paint Pots, Yellowstone National Park

A bubbling hot spring, Artist

A bubbling hot spring ~ one of the many fascinating, but nameless, features at the Artist’s Paint Pots.

Landscape: White limestone ground, red and black dead pine, green pines, blue and green waters; Artist

Subtle colours and beauty ~ Artist’s Paint Pots Yellowstone

Geothermic steam rising behind a wooden walkway: Artist

Steam rises everywhere from hot springs and from cracks and fissures in the earth.

Small seed pods in front of geothermal steam. Artist

It amazes me how many plants survive and thrive at the edges of the geothermal pools.

Bubbling Hot Spring, Artist

Some of the small springs bubbled with amazing enthusiasm!

Blue Spring, Green Grass Artist

Impossibly clear springs contrast with red and white soils and green grasses.

Lodgepole Pine and hotspring steam: Artist

New-growth lodgepole pines grow next to the steaming hot pools.

Dead tree wood, Artist

Nature’s Still Life: This area suffered major forest fire in 1988, and the evidence is still around.

Red mud pots, Artist

Some of the “paint pots” are brightly coloured by cyanidia, a unicellular red algae.

Lanscape: milky blue paintpots and red algae. Artist

The milky-blue colour in some of the features comes from silica, suspended in the water.

Young adults on the boardwalk, Artist

Visitors try to capture the white-on-white.

Boiling white mud: Artist

The boiling white mud in the Paint Pots is a clay mineral called kaolinite.

Bubbles of boiling white clay: Artist

There is a constant “plopping” noise as the clay in the mud pots builds up heat and bubbles over.

Creamy blue-white hot-spring pond. Artist

Another silica milky-blue pond.

Fringed Gentians, Yellowstone National Park

Beside the trail back to the car park, autumn Fringed Gentians (Gentionopsis crinito) signal the onset of cooler weather.

Text: Happy RamblingIt was a delightful stop, and a good introduction to some of the natural beauty the park has to offer.

Until next time ~ Happy Rambling!

Pictures: 13August2012

View of white daisies with green foliage, from above.

Daisies on the green.

We looked out the windows of our accommodation at Annascaul, on the southwest tip of Ireland, and although the sky was heavy and overcast, we hoped it might not rain…

We were not half a block out the door, when our hopes were dashed: rain, drizzle, fog, mist; our day was beset with precipitation of all sorts. Although the the Gulf Stream is supposed to warm the Dingle Peninsula, I was not convinced as we started our walk from Annascaul to Dingle, shivering in our raincoats.

The row houses of Annascaul, Dingle Peninsula, Ireland.

Main Street (only street?) Annascaul, including our accommodation, The Anchor.

Day 4: Anascaul to Dingle

From Anascaul the trail takes you west to the town of Dingle, along a series of minor roads that meander around the surrounding countryside and open mountains. 
You will have a chance to visit the magnificent ruin of the 16th century Minard Castle and stop of for lunch in the beautiful village of Lispole. 
From Lispole the trail takes you northwest back towards the spine of the Dingle Peninsula. From here the views over Dingle Bay are simply awe-inspiring.


Distance: 22km/13.7 miles, Ascent: 430 m/1290 ft

South Pole Inn, Annascaul, with a tented marquee out the front.

The South Pole Inn was originally opened by Annascaul’s famous son, Antarctic explorer Tom Crean (1877-1938), after his retirement from the British Royal Navy.

A font to the Madonna, Annascaul,Ireland.

Ireland’s religious roots are in early Celtic Christianity. As a consequence, Madonas and crucifixes are less commonly seen outside churches here than in many other Catholic countries.

Shaggy Irish sheep on a misty green hill.

Another day walking in Ireland: mist, green, and sheep.

Dappled gray pony looking over a wire fence on a green Irish hill.

A dappled gray pony is a nice change from the ubiquitous sheep!

Council Workers in fluorescent green jackets on a narrow, wet Irish road.

If Irish council workers were stopped by rain, they’d never get anything done. These two are cutting back the brambles on the narrow road verges.

A gray donkey and a skewbald pony against a green Irish hill.

A donkey and a skewbald pony watch our passing.

Cottage ruins in green overgrowth.

Cottage ruins often seem to be left where they stand.

View: Road leading into Kilmurray Bay and Minard Castle.

Descending through the mist and rain into Kilmurray Bay, with the remains of the Minard Castle, built in the mid-16th century by the Fitzgerald’s and destroyed by Cromwell in 1650, perched on the hill.

Red buoy in a yellow box; Kilmurray Bay

“A stolen ringbuoy – a stolen life.” Kilmurray Bay

View: rounded boulders and beach curving around to a green hill and the ruins of Minard Castle.

The beach at Kilmurry Bay is framed by rounded boulders thrown up by the sea. The ruins of the Minard Castle tower (fenced off with “Keep Out” warning signs) stand on the hillside.

View: Creek, stone wall, green hills, ocean.

A small creek runs into Kilmurry Bay from in front of the Minard Castle ruins.

Buttercups and fuchsia against green foliage.

Wet and wild: Buttercups and fuchsia counterpoint the ever-present greens.

Eventually, Lispole village came into view, but it soon became clear that unless we were to deviate from the country road we were on, we would not actually go through it. So, we took advantage of our packed sandwiches and a short break in the rain to have a quick lunch perched on the roadside before heading off up hill again.

Gothic church set amid green hills and mist.

A Gothic church in the village of Lispole is set amid green hills and mist.

Green wooden door, covered in grass, creepers and ivy.

A wooden door on an old stone shed is almost hidden by grass, creepers and ivy.

Purple foxgloves against a rough green door.

Foxgloves give a splash of colour.

View: hills and mists of Dingle Peninsula

View over Short Strand and the hills of Dingle Peninsula.

It was one of those days: whether it was the cold, the damp or our tiredness I don’t know, but our walking route never seemed to quite match our notes. We never saw the Ogham stone that was meant to be in an ancient graveyard (not the first one we missed, either); we didn’t find the “arrow painted on the roof of the turf shed” that was meant to be a way marker; and we didn’t see the point at which we were meant to have two walking options. Fortunately, we ended up on the one we wanted by default, passing the 18th century Garfinny Bridge before finally coming into Dingle.

The arched Garfinny Bridge over the Garfinny RIver.

Called “the rainbow bridge” because of its shape, the pretty Garfinny Bridge arches over the Garfinny RIver.

Close-up of the stones making the arch of the Garfinny Bridge.

Built in the 18th century without the use of mortar, the Garfinny Bridge is the last of these bridges standing in Ireland.

Dingle street from the southeast.

Coming into John St., DIngle.

text: slainte - good healthAnd, as always, the cold, the wet and the fatigue were quickly forgotten over a pint and a plate of fresh fish and chips at the local pub.

Sláinte!

Photos: 21June2012

A woman on a crowded Yangon train is quick with a smile for the camera.

After thirty-six hours of airplanes and airports, and sixteen hours of sleep, I’m sitting on my balcony with a coffee while welcome swallows and noisy miners swoop around my head. My ears are ringing with the screech of lorikeets and rosellas as they jockey for position in our trees, and light is falling on the estuary as the pelicans glide in for graceful landings.

It is nice to be home, but my head is still swirling full of images of monks and temples, stilted houses and leg-rowing fishermen. I’ve just had the privilege of spending two weeks in a different time and place: in Myanmar, a magical land poised on the brink of change. I’ve come home with full CompactFlash cards, a full hard drive, and a full brain; it will take me ages to sort through the images and impressions.

Where to start?

With the golden beauty of Schwedegon Pagoda? The iconic wooden U Bein Bridge? The confusion and noise of colourful markets? The profusion of purple-robed monks or pink-clad nuns? The mystic calm of the Began stupas? The balletic-grace of Inlay Lake’s leg-rowing fishermen? The shy smiles of the people everywhere?

In the end, I’ve decided to leave the more “iconic” images for later, and to start at the end: with the oppressively hot, crowded and chaotic Yangon ring-train, where the dusty darkness inside the old carriages contrasts with the blinding light outside, where the fragrance of fresh flowers alternates with the stench of dirty refuse, and where the press of people transporting themselves and their belongings or wares around the rails of Yangon provide a microcosmic view of the country as a whole.

I was travelling with photojournalist and phototour-workshop leader Karl Grobl, his trusty Myanmar “fixer” and guide, Mr. MM, and nine other intrepid culture and photography enthusiasts. For two weeks we’d been touring around this amazing country, treated to local sounds and sights, tastes and smells; searching for “the” iconic Burmese image – all while fiddling with ISO settings, f-stops and exposure compensations. The Ring Train was our last stop and ultimate test: to find subjects in the dark and crowded carriages; to find light where there wasn’t any; to manage exposures in rapidly changing conditions – in short, to make pictures in a nigh on impossible situation.

Most of the the pictures I attempted that day will never see the light of day, but I found a few that I think give us a glimpse into everyday Burmese life.

Man in a longyi on a bright railway platform, behind the rails of the waiting room.

Stark Contrasts: extremes of light and dark illustrate the difference between long periods of waiting and sleeping on the floors, and the purposeful rush when the right train comes in.

A scattering of people in banks of colourful plastic seats in a railway waiting area.

Waiting in Colour: The railway station in Yangon was a much more orderly place than I expected after my experience of trains in India.

Burmese traditional architectural styles

Burmese Tracks: The current Yangon Central Railway Station was built in 1954 in Burmese style.

A clutch of people sitting and lying on a railway platform.

On the Platform: One of the hallmarks of Asia is people’s ability to wait…

A running water tap with a plastic cup attached.

Water for travellers is shared all over Myanmar: for a scarce and precious resource, people seem to be rather profligate with it!

A Burmese man in a train window smiles out.

Passing Passenger: An elderly Burmese gentleman smiles for the tourist.

Glass-front railway office with billboards posted all over.

Posters all but obscure the platform office. The man working the window is barely visible.

A man in a singlet in a small office with slatted windows.

A Glimpse into the Office: With the oppressive heat and humidity, and minimal ventilation, it is no wonder that this worker is down to his singlet.

A Burmese man and boy sitting on a railway platform.

Waiting for the train.

Portrait of a Burmese Theravada Buddhist monk

Portrait of a Burmese Theravada Buddhist monk – after he put his cigarette out!

Burmese woman carrying a large package on her head.

All over Myanmar, women carry goods on their heads effortlessly.

Portrait in profile: Burmese man in a peaked cap.

Contrasts: a man looks out from the dark train interior to the bright Yangon afternoon.

Chickens on the floor of a Burmese railway carriage.

Trussed live chickens vie for space on the floor of the railway carriage.

Silhouettes look out onto a Burmese train platform.

Looking through the crowds out onto a Burmese train platform.

Young Burmese man on the steps of a moving train.

And the world goes by…

A Burmese man jumping from a moving train.

… Jump!

A Burmese child

A face in the crowd.

Portrait: Elderly Burmese beggar-woman

This old lady had a bucket full of kyat, so was doing quite well begging on the train.

"betel quid" seller on the train.

Betel nut and “betel quid” chewing is ubiquitous in Myanmar. Even on the trains, vendors are ready to fix a chew or three.

Back view: a Burmese woman with snack foods on a tray balanced on her head.

The snack vendor is ready to change train cars; she hasn’t sold much on this one.

Young Burmese girl and her mum, both sporting thanaka on their faces.

Daughter and mum – both sporting thanaka,the cosmetic paste made from ground bark, on their faces.

View from a train: soldiers in uniform and markets under umbrellas.

Markets are everywhere; the military presence is reportedly less than it used to be, although visitors like us still meet friendly “strangers” who ask pointed questions about our group’s size and purpose.

Burmese woman

Looking outside.

Vendors squat on the floor of a Burmese train selling their food and drink.

Vendors squat on the floor where they can find space, selling their food and drink.

Indian Man and Burmese woman: portrait

Myanmar is home to a number of ethnic groups – most of whom get along well, notwithstanding various fights for independence going on around the country.

Portrait: beautiful young Burmese woman on a train.

Harsh light can’t dim a beautiful Burmese smile.

A beautiful Burmese boy with his mum.

A cherished boy-child is there to farewell me as I finally leave the Ring Train in the same place I got on.

Text: Happy TravelsLike I said, just a glimpse into the colour and magic that is Myanmar; I can only hope it retains what is good and innocent as it is thrust, with the opening of it’s borders, into the future.

I will get back to the more “classic” images soon – in the meantime, I wish you Happy Travels!

Photos taken: 24September2012

  • karlgrobl - September 29, 2012 - 4:58 am

    Love it, love it, love it!
    Ursula, you did it again….capturing the essence of the story through your engaging images and rich, colorful, descriptive text. It’s a wonderful package with your signature “Ursula insights” and your vivid descriptions, all of which make us all feel like we were along for the ride (and some of us were…and we all wish we could describe it as eloquently as you did). Thanks for sharing. Bravo on a story well told. In-flight magazines across the region are in need of stories like this one!
    Cheers,
    KarlReplyCancel

    • Ursula - September 30, 2012 - 5:59 am

      Thanks so much, Karl and Ayn!
      It was so lovely to share the adventure with y’all, and even nicer that you’ve popping in to my PhotoBlog. 😀ReplyCancel

  • Ayn - September 29, 2012 - 12:48 pm

    Wow, transported me right back there In an instant. We “worked” the same car, so wonderful to see your perspectives. When I am “homesick” for Myanmar, I will be a frequent visitor to your blog!! Please keep posting!! Great story!ReplyCancel

  • Bonnie Stewart - October 1, 2012 - 1:14 pm

    Great job Ursula! Wonderful story and pictures. Enjoyed meeting you. BonnieReplyCancel

  • Signe Wesetrberg - October 2, 2012 - 1:56 am

    What Karl said and more!!!! excellent just loved it. 🙂ReplyCancel

  • Kat Miner - October 2, 2012 - 11:13 pm

    Lovely shots, Ursula! My favs – obscured Platform office and the colorful waiting room.ReplyCancel

    • Ursula - October 3, 2012 - 12:26 am

      Thanks so much for the visits and comments, Kat, Signe and Bonnie. 🙂ReplyCancel

  • Patrick - October 10, 2012 - 5:56 am

    Very nicely done, Ursula.ReplyCancel

  • Sarah - November 3, 2012 - 9:24 am

    Excellent series of photographs. InformativeReplyCancel

    • Ursula - November 3, 2012 - 10:29 am

      Thanks, Sarah and Patrick – glad you enjoyed the post. 🙂ReplyCancel

  • Darrell - November 9, 2012 - 7:54 am

    Fantstic job Ursula. You have real talent both with the pen and the camera.ReplyCancel

    • Ursula - November 9, 2012 - 9:49 am

      Thanks, Darrell. You are too kind! 🙂ReplyCancel

  • […] about the “Circle line” (one including a multimedia piece the other just photos) and a more comprehensive blog post about the journey, wonderfully crafted by Ursula Wall,  just click the appropriate link and […]ReplyCancel

    • Ursula - March 14, 2013 - 12:29 pm

      Thanks SO much for the mention, Karl. 😀ReplyCancel