Environmental portrait: older man with a pre-schooler on his knee, DesaTumbur, Yamdena, Indonesia.

Elder and Younger
In the simple village of Desa Tumbur on the southern Spice Island of Yamdena, Indonesia, a grandfather cares for his grandchild while watching the visitors with friendly curiosity.

Head-hunters once lived here. 

In spite of the inroads made by nineteenth century Christian missionaries, the men of the Tanimbar Islands were still known as fierce warriors well into the independence fights of the twentieth century. Today, local languages and many traditional beliefs, ceremonies, and dances survive. On the largest Tanimbar Island of Yamdena, the Yamdena language is widely spoken. Even though Christianity is the main religion, ancestor worship is still practised.

These islands are at the southern edge of the Moluccas, an archipelago of about a 1000 islands in the eastern part of Indonesia. Long known to European sailors for the nutmeg, mace, and cloves that were found exclusively there, they were once part of the Dutch East Indies. While most of these Spice Islands are forested and mountainous, the Tanimbar Islands are predominantly dry and hilly.

I was on a small ship – the Coral Geographer – on a trip through Indonesia’s Spice Islands and Raja Ampat. Our time was drawing to a close, and we were travelling southeast from Banda Neira (see: In the Historic Town of Banda Neira and A Rainy Morning on Banda Api) towards our home port of Darwin, Australia, a mere 550 kilometers (340 miles) – or roughly 285 to 300 nautical miles – almost due south.

We anchored for a few hours in Saumlaki Bay and those who wished to go ashore on Pulau Yamdena made use of the ship’s tenders.

This was to be the last Indonesian stop on our almost-three-week voyage, so I was determined to explore.

Yellow church near the waterfront, Saumlaki, Pulau Yamdena, Indonesia.

Catholic Church in Olilit Barat 
As our tenders head towards Yamdena Island’s administrative centre of Saumlaki, we have views over the harbour and up to the neo-Gothic church nestled in the tropical greenery.

A group of Yamdenan people on the waterfront, Saumlaki, Indonesia.

Kids on the Waterside
We are the main attraction! People have come out to watch our tenders tie up on the waterfront.

Travel shot: Indonesian guide and Anglo tourist, Saumlaki, Pulau Yamdena.

The Ursulas
We are met by a number of local guides with very good English. I spot one with the same name as me, and we pose for a photo together.

Colourful wooden buildings, Saumlaki, Pulau Yamdena, Indonesia.

Colourful Buildings
Many of the buildings on the waterfront are commercial warehouses. It is a Saturday, so most shops are shuttered and quiet.

Banana flower and leaves, Desa Tumbur, Pulau Yamdena, Indonesia.

Banana Flower
We were bused for a hot and stuffy 45 minute drive north along the island coast from Saumlaki to Desa (Village) Tumbur. The local guides on each bus gave a running commentary on local sights and history. This village is just 7° south of the equator; nothing says ‘tropical’ quite like a lush banana plant.

A gathering of local dancers and visiting tourists at the Tumbur village gate, Pulau Yamdena, Indonesia.

The Tumbur Village Gate
We wait outside the arch leading into the village while we are treated to a ritual welcome, including song and dance.

Sacred kingfisher in the grass, DesaTumbur, Pulau Yamdena, Indonesia.

Sacred Kingfisher – Todiramphus Sanctus
This beautiful little bird had flown into our ship and injured itself; staff kept it safe in a box until we made landfall, where it could be released.

Environmental portrait: older man with a pre-schooler on his knee, DesaTumbur, Pulau Yamdena, Indonesia.

Tumbur Residents
Our visit seems to be quite the event, and countless locals turn out to watch and greet us.

Environmental portrait: woman with a toddler on her shoulder, DesaTumbur, Pulau Yamdena, Indonesia.

Mother And Child

Environmental portrait: toddler on her mother

Young Child
The younger children especially watch us with some caution.

Market seller, Desa Tumbur, Pulau Yamdena, Indonesia.

Market in the Schoolyard
Desa Tumbur has a reputation for its detailed black ebony wood carvings and traditional weaving. Unfortunately, I didn’t see anything of particular note for sale at this impromptu market. I was (quietly!) taken aback by the availability of dead seahorses.

Young boys on a, overhead balcony, DesaTumbur, Pulau Yamdena, Indonesia.

Boys on the Balcony
Back in the village streets, young boys watch the goings-on from the upstairs terrace of a two-story building.

Looking into a local store, DesaTumbur, Pulau Yamdena, Indonesia.

Local Shop
Crowded little shops like this one are common all across Southeast Asia.

Litter on a flat beach, DesaTumbur, Pulau Yamdena, Indonesia.

Tumbur Waterfront
The beach was hardly salubrious; of course, I don’t know if the litter has washed down from the village, or in from the Arafura Sea.

Laundry hanging outside a small house, DesaTumbur, Pulau Yamdena, Indonesia.

Wash Day
The village itself, by contrast, is tidy and orderly.

Lush green breadfruit leaves, Desa Tumbur, Pulau Yamdena, Indonesia.

Breadfruit Tree – Artocarpus Altilis
Food is all around in the tropics.

Blooming basil plants, DesaTumbur, Pulau Yamdena, Indonesia.

Basil in Bloom
Some gardens are growing herbs and vegetables.

Green leaves of a legume plant, DesaTumbur, Pulau Yamdena, Indonesia.

Legume Plant
They did tell me what this was, but I have since forgotten!

Under-ripe guava on a bush, DesaTumbur, Pulau Yamdena, Indonesia.

Guava – Psidium Guajava

View down an orderly DesaTumbur street, Pulau Yamden

Down a Village Street
According to one source, Tumbur was recognised in 2022 as the cleanest village in the Tanimbar Islands.

Young boys on a, overhead balcony, Desa Tumbur, Pulau Yamdena, Indonesia.

Boys on the Balcony
The village lads continue to keep an eye on us from their perch as we leave the village.

A group of Yamdenan people on the waterfront, Saumlaki, Indonesia.

The Locals Wave us Off
Back in Saumlaki, we get aboard our tenders. The locals, …

Environmental portrait: Yamdenan man waving, Saumlaki, Indonesia.

Village Guide
… including our guides, wave us off.

Wine bottles on the stern deck of a ship, Arafura Sea, Indonesia.

Drinks on the Deck
On the ship, dinner drinks are at the ready. We continue south, with the sun setting on the Arafura Sea behind us.

The island of Yamdena already felt a world away.

Text: Safe Sailing

Until next time,

Safe Sailing!

Photos: 05April2025 

Outdoor portrait of a Gujar elder with a red hennas beard, Doodhpathri, Budgam India.

Portrait of a Gujar Elder
A semi-nomadic agricultural community of Gujar (Gurjar, Gujjar, or Gurjara) people make their home in the lush green meadows of Budgam District, high in the Pir Panjal mountains in India’s Western Himalayas.

Even today, scattered pockets of ethnic communities manage to live much as they have done for hundreds of years.

I was on a small-group photo-tour in India’s union territory of Jammu and Kashmir. We were staying in traditional wooden houseboats – albeit with hot water, electricity, and wifi – in the middle of Dal Lake in Srinagar. After days of enjoying life on the water (see: Water, Dreams, and Woodwork) and exploring the local markets and mosques on foot (see: Street Markets, Mosques, and Crafts), we headed into nearby hill station of Doodhpathri, situated at 2,730 metres (8,960 ft) above sea level.

There, above the Shaliganga River which flows out of the Pir Panjal mountains in the Western Himalayas, we met families of Gujar shepherds.

Traditionally, the Gujar (Gurjar,Gujjar, or Gurjara) people were semi-nomadic herdsmen moving between mountain pastures and lowlands of India and Pakistan. The Gurjara kingdom (Gurjaradesha) thrived in present-day Rajasthan and northern Gujarat from around 570 CE. The empire fell into decline in 1018, but by then, the Gujar had migrated to different parts of the Indian Subcontinent. Today, they can be found in India, Pakistan, and Afghanistan.

Gujars are linguistically and religiously diverse. In Jammu and Kashmir, most – like the families we met – are Muslim. They welcomed us into their modest single-room houses, where whole families stay during the growing months. As seasonal nomads, they follow their animals to grazing pastures in winter.

We then visited a shopkeeper and his family in the nearby town of Budgam (‘Big Village’ in Kashmiri), the headquarters of this district.

This whole region is known for its scenic beauty and historic sites (see: Directorate of Tourism Kashmir), but this visit was focused on the people. Come meet them:

Hut and horses on a hill, Doodhpathri, India

Hut and Horses on the Hill
Doodhpathri (Valley of Milk) is a scenic alpine hill station in the Budgam district of Jammu and Kashmir.

Three young women in white hijabs looking at a phone, Doodhpathri, India

College Girls Visiting
Doodhpathri attracts visitors from all over India and beyond. These young women were on an excursion from a neighbouring district.

Portrait of a young woman in a hijab, phone, Doodhpathri, India

Young Woman in a Hijab
We spent some time chatting and taking photos of each other.

Wattle and wood Gujar hut, Doodhpathri, India

Gujar Hut
The Gujar people in Doodhpathri live in simple, low, one-room huts.

Shiny metal plates on a mantle over a wood fire, Doodhpathri, India

A Gujar Kitchen
The only light inside the hut comes from the open door and the cooking fire.

Portrait: Young gujar woman in face and head covering, Doodhpathri, India

Gujar Mum
At first, Mum was a bit shy – but smiling behind her hijab.

Portrait: Young gujar woman in head covering, Doodhpathri, India

In the Smoke
As she looked after the fire, the light caught her elegant face.

Portrait: Gujar man in a white topi Doodhpathri, India

Man in a Topi
Like this Gujar patriarch, the shepherds in this region are predominantly Muslim.

Green grass and tall trees, Doodhpathri, Kashmir India

Forests and Meadows
This is a landscape of lush green grasses over vast meadows interspersed with tall stands of pine, fir, and deodar trees.

Woman with a water container at a stream, Doodhpathri, Kashmir India

Collecting Water
Doodhpathri means “Valley of Milk” which is a reference to the milky appearance of the fast-flowing streams that run through it.

Portrait: Gujar woman in a head covering, Doodhpathri, India

Smiling Woman
The Gujars are a proud and elegant people.

Outdoor portrait of a young Gujar woman in a head covering, Doodhpathri, Budgam India.

Young Gujar Woman in Doodhpathri
Traditional dress is predominant, everywhere we look.

Portrait: Young Gujar woman in a head covering, Doodhpathri, India

Young Woman

Portrait: Young Gujar girl, Doodhpathri, India

Gujar Girl

Portrait: Two young boys, Doodhpathri, India

Gujar Boys

Outdoor portrait of a young Gujar girl, Doodhpathri, Budgam India.

A Gujar Girl

Portrait of a Gujar woman in traditional dress, Doodhpathri, Budgam India.

A Woman in Gojari Dress
The traditional clothing worn by the Gujar people is an expression of their identity. The hat, known as a laska, lachka, or lashki, is a handcrafted, brimless skullcap with a flat or rounded top and vibrant multi-colored thread embroidery.

Portrait of a Gujar elder with a red henna beard, Doodhpathri, Budgam India.

Mohammed Iqbal
The elder of our host family, like other men in Gujar Bakerwal communities, has grown his beard long and dyed it with henna.

A man on his horse, Doodhpathri, Budgam India.

A Horse and Rider in Main Street
Nothing says ‘anachronistic’ like a man on his mobile riding his a horse through town.

Environmental portrait of an old shopkeeper, Budgam, Kashmir India

Shopkeeper in Budgam
In the district’s administrative capital, we meet a shopkeeper and his family.

Women in headscarves in a Kashmiri home, Budgam, Kashmir India

Women at Home
The shopkeeper’s wife welcomes us into the home and prepares us tea.

Portrait: man in a turban with a hookah, Budgam, Kashmir India

Shopkeeper
Our host changes into his traditional turban, which is embellished with small metallic studs and colorful pom-poms.

Young Woman
Outside, one of the daughters poses …

Environmental portrait of seven boys, Budgam, Kashmir India

The Boys
… and the neighbourhood lads gather.

It was a brief – but wonderful – glimpse into a very different world.

Text: Keep smilingUntil next time,

Keep Smiling!

Pictures: 12September2023

A yellow sunset over Bodrum harbour and castle, Türkiye.

Golden Hour over Bodrum Castle
I was treated to some glorious Aegean sunsets while I was in southwestern Türkiye – like this one over Bodrum Harbour and the medieval Castle of St. Peter.

Bodrum, a port town – or city, depending who you talk to – on the Aegean in the southwest of Türkiye was not on my travel radar.

But, it is on other people’s!

Conde Nast calls it: the most glamorous hangout in the Mediterranean. According to AI, it is often: dubbed the “St. Tropez of Turkey.” And, it turns out that a friend-of-a-friend lives there.

I flew into Bodrum from Istanbul for a small-ship cruise around the Gulf of Gökova (see: the Gulf of Gökova). Before and after my sail, I spent a few days this delightful port town.

The town’s main attraction is the historic medieval castle, built from 1402 onwards by the Knights of St John. Known as the Castle of St. Peter or Petronium – or simply Bodrum Castle, it sits on a small rocky peninsula set between two sheltered bays and houses the Bodrum Museum of Underwater Archaeology. I enjoyed a few hours exploring this Crusader site (see: The Castle of St Peter).

The rest of my stay, I wandered the streets: the postside streets full of wonderful food and tourist shop, and the more suburban streets of old stone housing and artists’ ateliers. 

Join me for a visit.

A gulet and several power boats anchored in Bodrum Harbour, Türkiye.

Bodrum Harbour
I arrived into Bodrum mid-afternoon, and the first thing I did was check out the port. The sailing gulet in the middle of the harbour is very like the one I would be cruising on.

White buildings on the Bodrum waterfront, Türkiye.

Bodrum Waterfront
This port used to survive on fishing and and sponge diving, but tourism has taken over – as you might guess from the beautiful waterfront developments.

Motor cruisers and St Peter

Bodrum Castle in the Harbour
I found myself a restaurant with a view …

A meal, Churchill Kafe, Bodrum, Türkiye.

Follow the Food: Something Turkish
… and enjoyed a Mediterranean meal as the sun lowered over the water.

An orange sky over Bodrum harbour and castle, Türkiye.

Sunset on Bodrum Castle

Gulets moored in Bodrum Harbour, Türkiye.

Masts in the Harbour
The next day, I wasn’t due to arrive on my boat until late afternoon. I went to see where she was moored: I wanted to know how far I’d be dragging my bags!

Stone coat of arms, Borum Castle, Türkiye

Stone Carving
After a late brunch, I paid a visit to St Peter’s Castle (see: St Peter’s Castle). This heraldic design is one of the 249 separate coats of arms found on the castle walls.

Covered shopping street Bodrum, Türkiye.

Shopping Street
The shopping street running parallel with the waterfront was a delightful place to explore.

Blue glass evil eye amulets, Bodrum shopping street, Türkiye.

Nazar Boncuğu – Evil Eye Protection
Traditional glass amulets to protect against negative energy and the “evil eye” (nazar) come in all forms and sizes.

Turkish delight in a shop display case, Bodrum shopping street, Türkiye.

Follow The Food: Turkish Delight
Food is everywhere! I could never quite get a handle on what is – and isn’t! – a Turkish delight.

Turkish delight in a shop display case, Bodrum shopping street, Türkiye.

Follow The Food : More Turkish Delights
They seem to come in every shape and colour!

Three men at rest, shopping street Bodrum, Türkiye.

Life In The Street
The shopping street was a great place to people-watch. These shopkeepers kept each other company as they waited for customers.

A Turkish flag on a hill overlooking Bodrum Harbour.

Setting Sail out of Bodrum Harbour
Mid-afternoon, our gulet pulled out of its mooring and made its way through the harbour.

Gulets in Bodrum Harbour, Türkiye.

Boats in Bodrum Harbour
We are not the only gulet on the move.

Gulet in Bodrum Harbour, Türkiye.

Another Gulet
Gulets are a traditional style of two- or three-masted wooden sailing vessel built in the coastal towns around the gulf. Today, they are popular for tourist charters and use diesel power. On many, the masts are purely for show and are not properly rigged for sailing. We never tested ours!

Night lights on Bodrum Harbour, Türkiye.

Night Lights on Bodrum Harbour
We found an anchorage far enough away from town that the lights were visible but the shore-front discos were just a faint thud.

View up to St Peter

Back into Bodrum Harbour
A week later, under the watchful eye of that crusader castle, we were back in Bodrum Harbour.

The Diver; a 2000 sculpture in bronze, Bodrum Türkiye.

Dalgiç – The Diver
Our gulet is back in a mooring in Bodrum Harbour, so I went in search of solid ground. I found this work in bronze by Turkish sculptor Yavuz Tanyeli close to our vessel.

White buildings on a Bodrum hillside, Türkiye.

Afternoon over Bodrum
I took myself on an afternoon walk, and found the town – like much of the Mediterranean – populated with white buildings.

Clay head: "Dragut" an Ottoman Corsair, Bodrum Türkiye

“Dragut” Turgut Reis (1485 – 1565)
A morning walk led me past an artists’ studio where a variety of sculpted heads were on display. I recognised Shakespeare, but the Turkish hero Turgut Reis – known as Dragut – was foreign to me. The name on his pedestal allowed me to look him up: he was born in 1485 near Bodrum. He became an Ottoman corsair, a naval commander, a governor, and a noble. Under his command, the Ottoman Empire’s maritime power was extended across North Africa.

A gated suburban wall, Bodrum Türkiye

Lines and Curves and a Metal Gate
Once I’m up the hill and away from the port, the narrow cobbled streets are tidy and graceful – and the homes are behind gated fences.

A cobbled suburban street, Bodrum Türkiye

Dappled Light in the Laneways
Light filters through the trees, and people go about their daily activities.

Buses in the New Bodrum Bus Terminal, Türkiye

Yeni Bodrum Otogarı – New Bodrum Bus Terminal
After lunch, my bags and I are at the Bodrum bus terminal, ready for an eight hour bus trip east.

As sad as I was to leave Bodrum behind, the bus was clean and comfortable – and I was on the way to another adventure.

Text: Happy TravelsUntil next time,

Happy Travels!

Pictures: 30September2022, 01October2022, and 07-08October2022.

Seascape: looking north along the Kiama NSW shoreline to the lighthouse, Australia.

The Long Curve
Steep cliffs, jagged rocks, and wild waters off the South Pacific Ocean, all make for the beautiful – albeit dangerous – coastline that the Australian town of Kiama, NSW is known for. (2020-10-28 1637 iPhone6)

Kiama, a little Australian town just 120 km (75 mi) south of Sydney, is bounded by a dramatic coastline along the Tasman Sea on one side, and rich, green pastures dotted with remnants of rainforest on the other. With heritage-listed buildings, stunning natural scenery, surf beaches, and plenty of boutiques and coffee shops, it is a popular spot for Sydney day-trippers and weekenders.

For thousands of years, the Wodi Wodi people – part of the Dharawal language group – used these lands. The town’s name comes from the Dharawal word kiarama-a, which has been translated as “where the sea makes a noise”. This refers to the now-famous Kiama Blowhole, where – depending on sea conditions – a fissure in the late Permian latite allows vigorous, noisy and potentially dangerous sprays of water up to 25 metres (82 ft) into the air.

On my first-ever visit to the blowhole, I expended a full roll of film trying to catch the plume at its height. My reaction-times failed me.

The seas here need to be taken seriously: in 1992, seven people – members of two families – were drowned after being swept off the rocks. In spite of an increase in warning signs and safety rails, there have been a number of other deaths over the years since, most commonly of rock fishermen who get swept away.

l live at the extreme other end of what is called the NSW South Coast (see: Coastal Walks). I sometimes stop over in Kiama on my long drive to or from Sydney. These particular photos are from two separate trips in 2020: one at the beginning of winter in June, and the other during a pleasantly mild October spring.

On the first occasion, a companion and I enjoyed the short but pleasant Minnamurra Falls Walk (see: AllTrails). On the second, I contended myself with coastal meanderings. Although I had my Canon cameras with me on the first trip, most of the pictures are taken on my old iPhone6. 

Enjoy some coastal time with me.

Looking across Black Beach Cove to Blowhole Point, Kiama NSW Australia.

Waves on the Waterfront
Its a short walk from our accommodation in the small CBD to Black Beach Cove. Across the waters, we have a view of the thin isthmus leading to Blowhole Point. (2020-06-26 1005 iPhone6)

Looking across Black Beach Cove to Blowhole Point, Kiama NSW Australia.

Waves on Black Beach Cove
The rocks on the cove are naturally occurring black basalt. (2020-06-26 1007 iPhone6)

Sun flare in a blue sky over the Continental Ocean Pool, Kiama NSW Australia

Black Beach Continental Ocean Pool
This 50-metre ocean pool is built into the naturally occurring rock shelf around Black Beach Cove. (2020-06-26 1008 iPhone6)

View up to the Kiama Post and Telegraph Office, NSW Australia

Kiama Post and Telegraph Office – Built 1878-1880)
Kiama has a number of NSW heritage-listed buildings – including the rather lovely post office. (2020-06-26 1021 iPhone6)

A rocky river bed, Minnamurra Rainforest Centre, NSW Australia

The Minnamurra River
Twenty minutes inland, we enter the Minnamurra Rainforest Centre (see: Budderoo National Park) for a walk through subtropical rainforest. (2020-06-26 1217 Canon 5DII)

Bird

Bird’s Nest Fern – Asplenium Australasicum
We are in a predominantly humid subtropical climate zone – and the surrounding vegetation reflects that. (2020-06-26 1223 Canon 6D)

Detail: An ancient tree with a large hollow trunk, Minnamurra Rainforest Centre, NSW Australia

Old Tree with a Large Hollow Trunk
This pocket of land is a rare and priceless remnant of the original rainforest. (2020-06-26 1224 Canon 5DII)

Elkhorn fern on a branch against the sky, Minnamurra Rainforest Centre, NSW Australia

Branches against the Sky
Elkhorn ferns (Platycerium bifurcatum) and other epiphytic ferns attach themselves to the sprawling, heavy branches of their host trees. (2020-06-26 1229 Canon 6D)

A rocky river bed, Minnamurra Rainforest Centre, NSW Australia

Rocky Creek Bed
Back down at ground level, things are shady, and the rocks in the river are coloured with lichens and moss. (2020-06-26 1230 Canon 5DII)

Close-up: The green leaves of a giant pepper vine, Minnamurra Rainforest Centre, NSW Australia

Giant Pepper Vine – Piper Hederaceum
(2020-06-26 1237 Canon 6D)

Landscape: Minnamurra Falls, Minnamurra Rainforest Centre, NSW Australia

Minnamurra Falls
“It’s not very big!” my companion muttered. And it is true: this accessible upper portion of the falls has a 25-metre (82-foot) drop. (2020-06-26 1302 Canon 5DII)

Close-up: Minnamurra Falls, Minnamurra Rainforest Centre, NSW Australia

Splash!
While the falls are small, I think they are very pretty. (2020-06-26 1307 Canon 6D)

Long exposure close-up: Minnamurra Falls, Minnamurra Rainforest Centre, NSW Australia

A Curtain of Water
And, for me, it is more about the fresh air and bird sounds, the scent of the surrounding nature, and the pleasant walk. (2020-06-26 1307 Canon 6D)

An Australian magpie, Blowhole Point, Kiama NSW Australia.

An Australian Magpie – Gymnorhina Tibicen
Back on the waterfront, a magpie watches us eat a late lunch – hoping for a stray chip or piece of fish. (2020-06-26 1450 Canon 6D)

Seascape: Afternoon light on Storm Bay, Kiama NSW Australia.

Waves and Last Light on Storm Bay
The late afternoon winter sun gives a light glow to the Norfolk Island pines on Blowhole Point. (2020-06-26 1557 Canon 5DII)

Early winter evening on Surf Beach, Kiama NSW Australia.

Surf Beach
A few brave souls are still in the water – dwarfed by the expanse. (2020-06-26 1608 Canon 5DII)

View over Black Beach Cove from Pheasant Point, Kiama NSW Australia.

Looking Down from Pheasant Point
The next morning, the light is completely different, as I set off walking in search of views and breakfast. (2020-06-27 0840 iPhone6)

Layers of black basalt in ocean waves, Kiama NSW Australia.

Splash on the Basalt
I love how the edges of the Ocean Pool blend in with the naturally occurring black basalt layers. (2020-06-27 0905 iPhone6)

Layers of black basalt in ocean waves, Kiama NSW Australia.

A Dynamic and Dramatic Shore
(2020-06-27 0907 iPhone6)

Looking across Black Beach Cove to Blowhole Point, Kiama NSW Australia.

Norfolk Island Pines
Four months later, I landed in Sydney late one afternoon off a flight from Uluru (see: Weekly Wanders Uluru). A stop back in Kiama was the perfect distance from the airport to make the drive home manageable. (2020-10-28 0755 iPhone6)

The curving Making Waves sculpture, gray sky and rough waters, Storm Bay, Kiama NSW Australia.

Making Waves
This stainless steel statue, created by visual artist Bert Flugelman (1923 – 2013) in 1997, was installed here on Storm Bay in 2016. (2020-10-28 0809 iPhone6)

Market stalls, Surf Beach, Kiama NSW Australia.

Kiama Farmers Market
In the afternoon, I headed out for another walk, and found the local markets in full swing above Surf Beach. (2020-10-28 1612 iPhone6)

View over the sandy shore of Surf Beach, Kiama NSW Australia.

The Sandy Shore of Surf Beach
(2020-10-28 1632 iPhone6)

View: Kiama Lighthouse from Storm Bay, Kiama NSW Australia.

On the Path
My walk back to the CBD takes me past Storm Bay, where I have a good view of the historical Kiama Lighthouse. (2020-10-28 1636 iPhone6)

Looking back over the Kiama Farmers Market from the path north, Kiama NSW Australia.

Curving Path
Looking along the path as I walk back to my rooms, the light lowers over the market. (2020-10-28 1651 iPhone6)

Text: Happy Rambles, Ursula :-)It is a beautiful spot – and I will return for another stay one day …

Happy Rambles!

Pictures: 26-27June2020 and 28October2020 

Craftsman with a small hammer at Art Naji, Fes Morocco.

Crafting Moroccan Zellige Tilework
Morocco is known for its intricate, hand-crafted pottery and ceramics. Sometimes hand-painted and sometimes tessellated into intricate mosaics, colourful ceramics are fundamental to Moroccan architecture and daily life.

I love pottery.

Not too far from my home, there is a Moroccan restaurant and emporium where all manner of colourful earthenware is available. While I have occasionally stopped for lunch, I have managed to resist buying house numbers, fountains, kitchenwares, or floor tiles.

But being in an actual traditional family-run pottery store in Fes, known as Morocco’s cultural capital, was a whole different story. I could have taken it all home!

One of the things I love about small-group travel is the access it gives you to local crafts and cottage industries. My group had driven into Fes the day before from the delightful blue city of Chefchaouen (see: Road Stops, Home Visits, and Fabulous Food). I had checked our trip itinerary, and – in addition to the usual notable mosques and palaces – our day in the historic UNESCO-listed, northern-inland Moroccan city of Fes included visits to textile weavers, a leather-works (Watch this space!), and a pottery workshop.

I was particularly excited about the pottery workshop for two reasons: firstly, I love watching and photographing artisans at work; and secondly, I had my heart set on a genuine tajine (shallow earthen pot): that iconic glazed pottery cooking utensil with a conical lid that Morocco is known for.

Art Naji was established inside the medina (old city) by the Fakhari brothers in 1930. Their operations (and those of other potters) were moved to Ain Nokbi, a district just outside the medina in 2013 to provide them with more space and to reduce the impact of the dust and heat of the kilns on the residents of the inner city.

Join me on a visit:

Large, colourful, tessellated ceramic art pieces, Art Naji, Fes Morocco

Outside Art Naji
Now that the workshop is outside the medina, there is space!

Men walking past large, colourful, tessellated ceramic art pieces, Art Naji, Fes Morocco

Men outside Art Naji
Space to display some of the bigger pottery pieces. Intricate geometric and arabesque patterns are heavily influenced by Islamic and Berber art.

Portrait: Moroccan man inside Art Naji, Fes.

Guide to the Workshop
Inside the building, we meet our guide, who will explain the work-flow to us.

Painted pottery bowl of heart-shaped fridge magnets, Art Naji, Fes Morocco

Bowl of Fridge Magnets

Craftsman inlaying tiles at Art Naji, Fes Morocco.

Working on an Inlay
Zellige is a centuries-old art form – originating in 10th-century Morocco and southern Spain – using natural clay tiles that are molded, chiseled, and glazed by hand, and then inlaid into complex patterns.

Craftsman with a small hammer at Art Naji, Fes Morocco.

Zellige Tilework
The artisan uses a specialized hammer to create the intricate geometric shapes that zellige tiles are known for. The word zellige (zellij or zillij) comes from an Arabic word meaning “little polished stone” or “to slide”.

A mound of wet clay, Art Naji, Fes Morocco.

Wet Clay

Potter at a wheel, Art Naji, Fes Morocco.

Potter at a Wheel
Every step of the production process is as it once was … 

Potter at a wheel, Art Naji, Fes Morocco.

Potter at Work
.. starting with shaping the wet clay on a hand-turned wheel.

Unglazed white clay spice tajines, Art Naji, Fes Morocco.

Mini –Tajines in the Making

Stacks of unglazed pottery, Art Naji, Fes Morocco.

Unglazed Pottery
Kiln-dried pottery waits to be painted, glazed, and re-fired.

Craftsman with asymmetrical ceramic pieces, Art Naji, Fes Morocco.

Jigsaw Puzzle
An authentic zellige tiled piece is expensive: understandable when you see the thought and work that goes into it.

Close-up: a hand painting glaze on a bowl, Art Naji, Fes Morocco.

Painting a Bowl
Like everything else, painting the traditional colourful patterns is done by hand.

Young woman painting a pottery bowl, Art Naji, Fes Morocco.

Concentration
The detailed work takes focus and concentration.

Shelves of greenware and a man at a work table, Art Naji, Fes Morocco.

Work at Art Naji
Every nook and cranny is filled with pottery at various stages of completion.

Man with a mallet and chisel, Art Naji, Fes Morocco.

Craftsman

Man with a polishing disk, Art Naji, Fes Morocco.

Grinding and Polishing

Craftsman with a small hammer at Art Naji, Fes Morocco.

Beautiful Blues
I seem to have wandered full circle – but I can’t help but admire this beautiful piece.

Vase glazed with Arabic writing, Art Naji, Fes Morocco.

Vase
In a separate room, some stunning old pieces are on display. Arabic calligraphy is a common decorative theme.

Decorative plates in a showcase, Art Naji, Fes Morocco.

Fine Wares
The showroom features historic Moroccan ceramics – some of them very old – featuring traditional designs, variants of which are still in use.

Decorative plate in a showcase, Art Naji, Fes Morocco.

Blues
Fes is known for its blue-and-white patterns.

A tagine on-order, Art Naji, Fes Morocco.

Tagine On-Order
One corridor was full of dish-sets waiting for completion and shipping. I decided on one like this …

A crate of bowls and plates in cellophane and bubble wrap.

The Crate
… and six months later it arrived!

Moroccan plates bowls and tagine in wrapping paper.

The Plates
It was so well wrapped it took me an hour to unbox it!

As each piece is handcrafted, it is – as they say: “Perfectly imperfect.” I smile and remember Fes every time I use it.

Text: Happy Shopping with a picture of a tajine in a kitchen.

Photos: 18October2024